Need a little inspiration from some people who seemed larger than life? Check out these movies based on true stories on Netflix. Then go out and live your best life.
The best movies based on true stories on Netflix
Inspired by his childhood in 1970s Mexico City, Roma is the latest film from visionary writer/director Alfonso Cuarón (Gravity; Children of Men). It’s a moving autobiographical drama about a young woman who works as a housemaid for a wealthy Mexican family, based on Cuarón’s beloved childhood nanny. It’s undoubtedly one of the greatest movies of 2018, destined to live on as a highlight of Cuarón’s career. —Gavia Baker-Whitelaw
2) Dallas Buyers Club
As a movie about LGBTQ subject matter, Dallas Buyers Club leaves something to be desired. Not only does it omit elements of the real Ron Woodroof’s story, it fails to clearly define whether Rayon, the film’s second lead, is transgender, a cross-dresser, or identifies in some other non-binary way. Where Dallas Buyers Club does succeed is in its depiction of the AIDS crisis, stigmatization that came with an HIV-positive diagnosis, and the far-reaching effects it had in the ‘80s and ‘90s. Dallas Buyers Club stands as one of their few offerings that provides a raw snapshot of a watershed moment. Matthew McConaughey and Jared Leto’s Oscar-winning performances as Woodroof and Rayon, respectively, are also among the best of their careers (particularly in Leto’s case), and the direction from Jean-Marc Vallée (Big Little Lies) is stunning. —Chris Osterndorf
3) The End of the Tour
Although many close to the late writer denounced the film upon its release, The End of the Tour’s portrayal of acclaimed author David Foster Wallace doesn’t necessarily need to be accurate to be affecting. Following journalist David Lipsky’s unpublished chronicle of Wallace in the last days of his book tour for Infinite Jest, the film is a powerful work on art, interviewing, genius, depression, and the way creative people view each other. Jesse Eisenberg and Jason Segel do some of the best work of their careers as Lipsky and Wallace, bringing authentic chemistry to this brief but powerful relationship. —C.O.
4) First They Killed My Father
Angelina Jolie continues to grow as a director. After her attempt at Oscar bait, Unbroken, the commercially successful but non-player at awards season, Jolie works on a smaller scale with First They Killed My Father. It tells the true story of Luong Ung (who co-wrote the screenplay with Jolie and wrote the memoir the film is based on), whose family was one of many that suffered under the Khmer Rouge in Cambodia. The film is contemplative without being boring and emotionally devastating without being manipulative. It’s a tough watch but a strong film. —Eddie Strait
5) Other People
Based on Saturday Night Live writer Chris Kelly’s real-life experiences, Other People tells the story of struggling comedy writer, David (Jesse Plemons), who moves back home to Sacramento to take care of his dying mother, Joanne (Molly Shannon). Complicating matters is his father, Norman (Bradley Whitford), who refuses to accept David’s sexuality, even 10 years after he came out. The lead performances are all great, and the film features strong supporting turns from familiar character actors and comedy mainstays, including June Squibb, Matt Walsh, Maude Apatow, and more. It’s a movie which alternates between moments designed to make you laugh and moments designed to make you cry, and it’s not short on either. —C.O.
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If The Godfather is the best movie ever made about the American mob, then Goodfellas is number 1.5. Martin Scorsese’s 1990 classic about Henry Hill (Ray Liotta) and his rise and fall in the Italian-American crime syndicate that ran New York for three decades is as good as it gets. There’s the amazing soundtrack, some of the most iconic sequences in all of cinema, and a fantastic ensemble that includes Robert De Niro as Jimmy “the Gent” Conway and Oscar-winner Joe Pesci as Tommy DeVito, just to name a few. There are no wasted moments in this movie. It’s it’s all forward motion: a delicate, propulsive, sometimes reckless ballet of camera movement and action. In fact, Goodfellas is one of the first movies to cut scenes about doing cocaine to the rhythm of actually being on cocaine. —C.O.
7) The Bling Ring
With The Bling Ring, Sofia Coppola takes a story marked by its excess and turns it into something funny, thrilling, and poignant. Based on a Vanity Fair article, the film follows a group of seemingly well off high school students who break into celebrity homes. Underneath the excess and wealth on display, is a great deal of insecurity on the part of the characters and social commentary on the part of Coppola. The Bling Ring is a deceptive movie; it’s a lot of fun in the moment but you’ll be surprised at how much you’ll have to think about when it’s over. -Eddie Strait
Considering the fact that it’s literally two hours of old men talking about organized religion, The Two Popes is shockingly fun. Arriving with a spring in its step, it offers a witty script delivered by two iconic actors at the top of their game, directed with warmth and sly humor by Fernando Meirelles (City of God). Adapted by writer Anthony McCarten from his 2017 play The Pope, The Two Popes covers the ascension of Pope Benedict XVI (Anthony Hopkins) and his eventual retirement and replacement by Pope Francis (Jonathan Pryce), told through a series of fictional conversations leading up to Benedict’s resignation in 2013. It feels almost unfair to say The Two Popes is easy to watch because that implies it’s shallow or overly simple. But it is easy viewing, while also being much more sophisticated than the many Netflix Originals that are basically designed to be played in the background while doing something else. —G.B.W.
Director Pablo Larraín has described Neruda as an “anti-bio” of the poet Pablo Neruda. Indeed, the film, which stars Luis Gnecco as Neruda and Gael García Bernal as a cop on his trail, plays with biography and fiction, celebrity and politics. Neruda lived in interesting times and Larraín plays up the parties and speeches in stunning detail, balanced out by a noirish game of cat-and-mouse. —Audra Schroeder
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10) The Stanford Prison Experiment
The Stanford Prison Experiment takes the infamous 1971 study on perceived power by Stanford professor Philip Zimbardo and turns it into something like a psychological thriller. Starring a who’s who of young Hollywood actors, led by Billy Crudup playing Zimbardo, the film recounts the disturbing events of the experiment by stretching them out in a slow, painful burn. Based on footage from the actual study, it feels like director Kyle Patrick Alvarez’s fictionalized version took painstaking detail. —C.O.
11) The Theory of Everything
Eddie Redmayne and Felicity Jones star in this award winning movie about Stephen Hawking and his wife Jane Wilde. The film tracks their relationship from their college days through the ups and downs of their marriage. The Theory of Everything is a by-the-books biopic, but it’s well made and hits all the beats it needs to. If you’re a fan of Hawking’s, or even if you’re a neophyte, there is something to enjoy, and the performances by Redmayne (which earned him an Oscar) and Jones elevate this one above the standard biopic fare. -E.S.
12) The Ip Man Trilogy
Donnie Yen (who audiences will recognize as the blind warrior Chirrut Imwe in Rogue One) stars in this trilogy of biographical martial arts films as real-life Wing Chun master Ip Man, who eventually became Bruce Lee’s teacher. The first film focuses on events that occurred during the Sino-Japanese War, while the second film follows Ip after he opened a Wing Chun school in Hong Kong, and the third features a young Bruce Lee (played by Danny Chan) going to Ip’s Wing Chun school to learn martial arts. While the fights are excellently choreographed and executed, the emotional story brings the trilogy home. —Michelle Jaworski
Netflix honors a World War II hero and photographer Francisco Boix in its newly acquired Spanish film, The Photographer of Mauthausen. The film, which follows Boix as he attempts to smuggle photos that incriminate the Nazi party of war treason while in the Mauthausen concentration camp, is predictably dark, somber, and incredibly difficult to watch—but an essential film about the Holocaust and the importance of upholding the truth. —Tess Cagle
14) To the Bone
It may be hard to convince yourself to sit down for a harrowing story about a young woman’s struggle with anorexia. Despite To the Bone’s grim subject matter, Marti Noxon’s script has enough humor to act as a release valve. The performances from lead actress Lily Collins to supporting players Alex Sharp, Keanu Reeves, Retta, and Lily Tomlin are great. The true story, based on Noxon’s past experiences, comes through in her intimate and empathetic approach to the film. —E.S.
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15) Steve Jobs
Danny Boyle and Aaron Sorkin’s film isn’t your typical biopic. It presents three key moments from the professional career of Steve Jobs, the launches of the Apple MacIntosh, the NeXT Computer, and the iMac. Each section dives deep into the personal life of Jobs at that time in order to present a full picture of Jobs as an innovator and a man. Boyle’s direction and Sorkin’s script energize the film, but it’s Michael Fassbender’s performance as Jobs that steals the show. —E.S.
Inspired, with some controversy, on the case of Geoffrey Bowers and Clarence B. Cain, Philadelphia centers on Andrew Beckett, a lawyer who sued his firm for wrongful termination. Beckett claimed he was fired because of his sexuality and because he had AIDS. With the help of another lawyer, Joe Miller, the men fight Beckett’s case in court. Anchored by tremendous performances from Tom Hanks and Denzel Washington, Philadelphia is a powerful movie and its themes are still relevant today. -E.S.
A Futile and Stupid Gesture, Netflix’s feature film adaptation of Josh Karp’s 2006 book of the same name, is an exploration of the creation of humor mag National Lampoon and its odd-couple co-founders, Henry Beard (Domhnall Gleeson) and Doug Kenney (Will Forte). It’s removed enough from its 1970s origins to offer new insight into its generational influence—and it also recontextualizes satire in an era littered with “fake news.” —A.S.
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18) The Most Hated Woman in America
Madalyn Murray O’Hair was one of the world’s most controversial atheists, and this new film from Tommy O’Haver and Irene Turner looks at her mysterious disappearance and death as well. Melissa Leo plays O’Hair as a bulldog who fought for religious freedom, but her life had some dark pockets too. —A.S.
19) Roxanne Roxanne
A long overdue biopic, the dutiful Roxanne Roxanne tells the early ‘80s beginnings of Lolita Shante Gooden, known to the hip-hop world as Roxanne Shante, rap’s first female superstar. Serviceable as a straightforward film, the project suffers from lack of depth as it tries to cover as many real-life events as it can. However, the accurate time-period placing, expert editing, and dazzling performances of Chante Adman, Nia Long, and Mahershala Ali cover most of the film’s tangles. —Kahron Spearman
20) Come Sunday
Evangelical biopic Come Sunday chronicles the fallout of Bishop Carlton Pearson when he is dubbed as a heretic for preaching the gospel of inclusion—the idea that no one will go to Hell because Jesus died for everyone’s sins. Director Joshua Marston does a successful job of making viewers feel like they’re watching events unfold in real life, but his insistence on presenting both sides of the conflict without bias hinders the movie from ever fully delving into any true emotion or character development. Based on an episode of NPR’s This American Life, Come Sunday lacks compelling storytelling and nuance, but it successfully shines a light on the shortcomings of a modern-day Christianity that lacks empathy. —T.C.
21) The King’s Speech
Though the Oscar should’ve gone to the more daring The Social Network in 2010, The King’s Speech is still a strong entry in the good ol’ “inspirational true story” genre. The lead performances from Colin Firth, Helena Bonham Carter, Geoffrey Rush, and Guy Pearce are top-notch. Tom Hooper’s decision to shoot much of the film in unflattering close-ups works perfectly. And for fans of The Crown or monarchy obsessives in general, The King’s Speech is a great primer. —C.O.
22) 22 July
Director Paul Greengrass (United 93, Captain Phillips) tackles yet another real life tragedy. On July 22, 2011, Anders Behring Breivik carried out a terrorist attack in Norway that left 77 people dead and injured over 300 others. The film covers the two-pronged attack, as well as the aftermath, and Breivik’s trial. It’s a tough film to watch because the trauma is so recent, but Greengrass’s respectful approach keeps the film from being maudlin. If you enjoy Greengrass’s other work (he also directed three Bourne films), 22 July is on par with those works. —E.S.
23) The Social Network
Every villain has an origin story, and the Social Network dramatizes that of Facebook founder Mark Zuckerberg. Nearly 15 years before he was apologizing to Congress for misleading users about Facebook’s role in the Cambridge Analytica data scandal, Zuckerberg was a Harvard student just trying to help his peers decide which female classmates were hotter. The Social Network dramatizes Zuckerberg’s rise to power, the founder himself played by an robotic, enigmatic Jesse Eisenberg, and a cast of Andrew Garfield, Justin Timberlake, and Armie Hammer playing Zuck’s many antagonizers. Sure, these days public opinion is still bitter toward Facebook, and watching Zuckerberg get “lawyered up” feels more just than in 2010. But the film’s direction and soundtrack are still extremely iconic — even Trent Reznor and Atticus Ross’ score is a cult classic on its own. —Samantha Grasso
24) The Highwaymen
The Highwaymen takes viewers on a captivating journey through the untold story of the Texas Rangers who took down Bonnie and Clyde. The Netflix-produced film does the seemingly impossible as it turns two well-known figures who usually steal the show into mysterious characters whom viewers rarely get to see or hear. Netflix went so far as to shoot at the exact location where Bonnie and Clyde were gunned down. The cinematically beautiful and surprisingly funny film also boasts a star-studded cast with supreme acting chops, including Kevin Costner as Frank Hamer, Woody Harrelson as Maney Gault, Kim Dickens as Gladys Hamer, and Kathy Bates as Governor Ma Ferguson. —Eilish O’Sullivan
25) The Laundromat
Steven Soderbergh doesn’t get enough credit as a political filmmaker. In The Laundromat, Soderbergh has turned his attention to the Panama Papers. Starring Meryl Streep as a widow who gets caught up in the larger machinations of the Mossack Fonseca scandal after the death of her husband, and Gary Oldman and Antonio Banderas as the heads of the aforementioned law firm, The Laundromat is a bit like The Big Short Jr. As Streep’s Ellen Martin goes deeper to find some order behind the chaos of her recent tragedy, Mossack and Fonseca make it abundantly clear that for people like her, there is no order to be found. The movie’s central point is that despite what the Bible tells us, the meek often do not inherit the earth. Capitalist systems are designed to reward the ruthless. —C.O.
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Editor’s note: This article is regularly updated for relevance.