Camila Cabello must do more about her racist history
Her apology was hollow. But she has a chance to make it right.
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Instagram’s hidden like counts were inspired by a ‘Black Mirror’ episode
In the episode, everyone rates everyone IRL.
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Chris Osterndorf
‘The Crown’ season 3 switches its cast but loses none of its intrigue
The historical drama is still must-watch TV.
‘The Laundromat’ sacrifices narrative for artistic experimentation
Steven Soderbergh's latest feels as interested in the stylistic choices it employs to tell its story as the story itself.
The ‘Transparent’ finale is messy, flawed, but still worth reckoning with
The acclaimed series concludes with an appropriately excessive spectacle.
‘The Deuce’ goes out on a glorious, bittersweet high note in season 3
David Simon creates another expert meditation on corruption and disenfranchisement.
In season 2, ‘Succession’ has quietly become one of the best shows on TV
I previously dismissed the show for its lack of star power. I'm thrilled that season 2 has proven me wrong.
‘Orange Is the New Black’ comes to a messy, beautiful end in a must-watch season 7
From day one, ‘OITNB’ has put its humanity first.
‘Deadwood: The Movie’ is a fitting coda to the brilliant, messy series
It’s also got the best swearing you'll hear on TV.
In season 2 of ‘She’s Gotta Have It,’ Spike Lee remains unapologetically himself
Lee takes a well-earned victory lap in the show's latest season.
In a world where entertainment is bigger than ever, Netflix’s ‘Easy’ is gloriously small
The underrated series goes out in style.
How ‘You’re the Worst’ and ‘Catastrophe’ went from subverting the romantic comedy to reinventing it
Both shows asked how romance functions in real life, and how to make that funny.
In season 2, ‘Barry’ definitively becomes HBO’s best comedy
Bill Hader's black comedy escapes classification in a killer second season.
‘Veep’ season 7 stays nasty until the very end
But the show doesn't cut quite as deep as it used to.
‘Arrested Development’ ends the same way it did the first time—unceremoniously
Is it time for the embattled series to call it quits?
‘The ABC Murders’ is entertaining, despite being the weakest recent Agatha Christie adaptation
John Maklovich plays an aging, broken down Hercule Poirot.
‘Unbreakable Kimmy Schmidt’ ends as it began—courting controversy
The seriously underrated series enjoys a fitting Netflix sendoff.
Season 3 of ‘Crashing’ is its best and most daring yet
Pete Holmes tackles love, God, and the Me Too movement’s impact on standup.
‘Friends from College’ is still annoying, still watchable in season 2
Great talent gets wasted on subpar material.
‘Future Man’ season 2 changes things up without losing any of the references
Less 'Back to the Future,' more 'Mad Max.'