The best thrillers on Hulu are just a click away.
The best movies on Hulu are just a click away, but sometimes you’re in the mood for something that doesn’t fit squarely in the comedy or drama genres. Something that gets under your skin and stays with you long after viewing. Hulu has an impressive selection of thrillers to keep you up at night. Here are the best thrillers on Hulu right now.
The best thrillers on Hulu
1) 10 Cloverfield Lane
10 Cloverfield Lane came out of nowhere when it was announced just two months prior to its release (it had previously flown under the radar as Valencia). For most of its runtime, it’s a taut locked-room thriller about a woman (Mary Elizabeth Winstead) who wakes up after a car crash in bunker belonging to a mysterious man (John Goodman). There’s another man stuck with them (John Gallagher Jr.) whose allegiances are hard to peg. The movie is a showcase for its cast and talented young director (Dan Trachtenberg). The ties to Cloverfield proved to be divisive among audiences, but it’s too good to miss out on. —Eddie Strait
2) Cloverfield (with Showtime add-on)
Cloverfield is awesome. I understand the complaints about the handheld/found footage aesthetic, but I don’t hear them. From concept to execution, Cloverfield is a blast. Say what you will about J.J. Abrams, but the man knows how to make an event movie. He also has an eye for talent. He roped in longtime collaborators Matt Reeves (Dawn of the Planet of the Apes) and Drew Goddard (The Cabin in the Woods), both masters of genre. Cloverfield is much scarier than you’d think for a monster romp. And now that there’s a Cloverfield Cinematic Universe taking shape (2016’s 10 Cloverfield Lane and this year’s The Cloverfield Paradox), now’s a great time for a refresher on how it all began. —Eddie Strait
3) The Matrix
Seriously? Do you seriously need me to tell you how good The Matrix is? How it’s the Wachowskis’ most sublimely cerebral, gloriously weird, well-executed work ever? How it changed the face of Hollywood, setting the gold standard for sci-fi and action movies for years to come? How Keanu Reeves, Laurence Fishburne, and Carrie-Anne Moss created some of the most iconic movie characters of all time? How it’s the movie that makes you go, “Whoa”? Seriously, do I need to tell you all that? If the answer is yes, I just, I can’t with you. Get out of here, go watch this movie already. —Chris Osterndorf
Alex van Warmerdam’s Borgman is a tale of a modern-day bogeyman. The titular character, played masterfully by Jan Bijvoet, slowly infiltrates the home and life of an upper-class family by simply asking for a favor. He appears to be a drifter in need of a bath, but this isn’t a typical home-invasion thriller. There are no masked psychopaths or bumps in the night. Borgman is from another realm—a shape-shifter, a trickster—and his increasing control over the family is even more chilling given a lack of real motive. —Audra Schroeder
5) 13 Assassins
Takashi Miike’s samurai epic 13 Assassins, a remake of a 1963 film of the same name, is one of the Japanese master’s best films. It’s about a group of assassins (as you could guess from the title) who team up in an attempt to kill the odious Lord Matsudaira Naritsugu. The first half of the film is restrained as the team comes together and forms its plan, but the film’s climactic battle pays off the buildup and rewards the audience’s patience tenfold (thirteenfold?). It’s roughly 40 minutes of immaculately staged action mayhem. It’s pure spectacle that will take your breath away. —Eddie Strait
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2007’s Zodiac is a film about obsession as much as it is the Zodiac Killer. David Fincher does a great job recreating the heightened panic and anxiety that gripped northern California in the late 1960s and early ‘70s. The first part of the film plays like a horror film before settling into something even more jangling, and it’s anchored by strong performances from Robert Downey Jr., Mark Ruffalo, and Jake Gyllenhaal. Zodiac is Fincher working in his wheelhouse and at the peak of his powers. —Eddie Strait
7) I Saw the Devil
This South Korean thriller pits two of the country’s most well-known actors (Choi Min-sik and Lee Byung-hun) as a cop and a serial killer, respectively. It’s a cat-and-mouse story, or maybe cat-and-cat is more appropriate, as Byung-hun relentlessly tracks and tortures the man (Min-sik) who killed his wife. The film is directed by maestro Kim Jee-woon, so you’re in good hands. I Saw the Devil is brutal and provocative, and if you have the stomach for it, it’s well worth a watch. —Eddie Strait
8) The Crow
This 1994 film might seem campy next to modern-day superhero movies, but no remake can replicate the oppressive darkness of The Crow. Brandon Lee’s embodiment of Eric Draven—a man who returns from the dead to avenge his murder and the rape and murder of his fiancée—is seamless—and made even more tragic by Lee’s accidental death on set. Director Alex Proyas doesn’t let any light in, sketching out a world where evil waits around every corner and the superhero can’t save everybody. But as Draven assures his young pal Sarah: “It can’t rain all the time.” —Audra Schroeder
The original Hannibal Lecter movie, Michael Mann’s 1986 thriller takes Thomas Harris’ 1981 novel Red Dragon and bathes it in blue. Mann, who was coming off Miami Vice, stylized the adaptation, giving the story of FBI profiler Will Graham and serial killer Thomas Dolarhyde a glacial, dreamy quality. As the two men hunt each other, a narrative structure for Mann’s future films (Heat, The Insider) comes into focus. —Audra Schroeder
Aliens randomly show up and strategically place themselves across the globe, with humans falling into complete panic in response. Most movies would take this set up and deliver a city-destroying action-fest. Director Denis Villeneuve and writer Eric Heisserer aim for something more thoughtful and empathetic. It’s a movie about understanding and listening. This sci-fi thinker is one of the best movies of the decade. —Eddie Strait
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11) Children of Men (with Showtime add-on)
Alfonso Cuaron’s dystopian masterpiece is one of the great sci-fi movies of the new millennium. Based on P.D. James’s novel, it’s set in a world where women can’t pregnant and humanity is staring down extinction. That is until one pregnant woman is found and a small group, led by Clive Owen, Julianne Moore, and Chiwetel Ejiofor, have to get her to safety. It’s a smart movie anchored by jaw-dropping action set pieces. —Eddie Strait
12) Mom and Dad
Nicolas Cage and Selma Blair go off the deep end in Brian Taylor’s 2017 comedy-thriller about a mysterious event that causes parents to want to kill their kids. That conceit alone makes this film an acquired taste, but Mom and Dad also gives Cage the room to go completely over the top (like the scene where he destroys a pool table while singing “The Hokey Pokey”) so some dark humor seeps into the murderous rage. Cage doesn’t overpower the film. In fact, there are actually some touching, introspective moments between him and Blair. —Audra Schroeder
13) Let the Right One In
Childhood is lonely, and when you’re poor and live in a small town, it can be even harder to find a good friend. It can lead to crazy things, like ignoring the fact that your new best friend is a vampire. Evil’s seductive tendrils are well-worn territory in horror, but Let the Right One In tackles why friendship can blind even the most innocent with cold-blooded finesse. The American remake is fine, but the Swedish original is a masterpiece. Few films can trick you into rooting for a child to be in danger. Let the Right One In makes you hope he never leaves his dark new companion. —John-Michael Bond
14) The Babadook
In Jennifer Kent’s 2014 film, the mother is supposed to be the protector, but she might be the monster, too. This tangled duality pushes The Babadook, a film that takes the idea of a bogeyman and draws a thick black line to the depths of our subconscious. Essie Davis is wonderful as Amelia, a single mother who’s slogging through life with her troubled, high-strung son. Their relationship starts to shift after a creature in a children’s pop-up book starts appearing outside the pages and becomes a terrifying metaphor for grief and depression. It joins a handful of recent horror films (The Witch, It Follows, Ex Machina) in which women aren’t just prey or victims. —Audra Schroeder
Director of Drive and The Neon Demon, Nicolas Winding Refn has a penchant for exploring themes of masculinity and violence, and he’s never done it better than in this 2008 British film based on the story of the man oft thought to be the country’s most violent prisoner. In Bronson, 19-year-old Michael Peterson is sentenced to seven years behind bars for robbing a post office. He ends up serving 34, three decades of which he carries out in solitary confinement. During this time, Peterson adopts the alter ego of Charles Bronson (yes, like the actor), and the story only gets weirder from there. The center of it all is Tom Hardy in a performance that’s like watching a star about to go supernova. —Chris Osterndorf
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