- Majority of threats made since El Paso and Dayton shootings have been made online Thursday 8:00 PM
- Miley Cyrus tweets about cheating allegations and penis cake drama Thursday 6:32 PM
- ‘The Dark Crystal: Age of Resistance’ dazzles with a timely tale Thursday 6:00 PM
- The DOJ emailed a white nationalist blog post to immigration judges Thursday 5:31 PM
- The Amazon rainforest is on fire–and people are using memes to cope Thursday 4:11 PM
- Microsoft contractors listened in on Xbox users Thursday 2:15 PM
- Anti-vaxxer assaults pro-vaccine lawmaker on Facebook Live (updated) Thursday 2:15 PM
- Oreos licked by singer Lewis Capaldi are being auctioned off on eBay Thursday 1:54 PM
- Zach Braff predicted Sean Spicer would be on ‘Dancing With the Stars’ 2 years ago Thursday 1:38 PM
- NYPD sergeant who watched Eric Garner die punished with lost vacation days Thursday 1:27 PM
- Brie Larson haters have a meltdown over a joke about Thor’s hammer Thursday 1:26 PM
- This comedian attempted to make fun of women on Twitter—and it did not go over well Thursday 1:04 PM
- Logan Paul wants to help the Amazon rainforest Thursday 12:36 PM
- Nutaku announces redesign and filters for LGBTQ porn games (updated) Thursday 12:25 PM
- This video of dozens of inflatable mattresses taking off in the wind is perfect Thursday 12:20 PM
In Frankenstein’s Monster’s Monster, Frankenstein, David Harbour channels David Harbour (channeling Orson Welles).
DIRECTOR: Daniel Gray Longino
David Harbour plays himself in this parody of bad actors.
Harbour, one of the stars of Netflix’s Stranger Things, gets to flex his capital-A acting muscle in this 30-minute short, and Netflix no doubt lined up the release to coincide with the mass theorizing about Chief Hopper’s fate. Harbour plays himself here, investigating the titular play his ac-tore father David Harbour Sr. starred in, as well as the drama between his father and his co-stars (Alex Ozerov and Kate Berlant). In perhaps a bit of brand synergy, Harbour found footage of the play while killing rats in his mom’s attic, which echoes a storyline from Stranger Things‘ latest season.
Like Netflix’s other recent 30-minute not-a-film-but-not-a-TV-show, The Unauthorized Bash Brothers Experience, FMMF defies easy categorization. It’s being touted as a “Netflix playhouse featurette” and is heavy on theatrical references—there’s an extended joke about Chekhov’s gun. The premise—that Harbour is trying to find out something about his estranged father—implies that there should be some emotional resonance. But that void is filled instead with long, awkward takes; stilted dialogue; and bad editing.
And that all feels very deliberate. Director Daniel Gray Longino has worked on Pen15, Kroll Show, and Check It Out! with Dr. Steve Brule. Writer John Levenstein (Baskets, Kroll Show) is similarly versed in sketch and sitcom forms. It is fun to see the little mess-ups, like Berlant having to pull a door closed after dramatically exiting, or taking the longest route possible to establish a better blocking shot, and FMMF tries to recreate an era of TV that feels ancient now, complete with a parody of Orson Welles’ drunken commercial for Paul Masson wine. A bad improv scene with Berlant gave me the only real laugh of the viewing.
If “My father was a monster” is the takeaway—and Harbour literally says that—the road there feels a bit unfinished. FMMF could have just been a sketch, but perhaps that’s the point: Here are bad actors overacting for way too long. And maybe that’s what Netflix is experimenting with. The recent I Think You Should Leave showed what an efficient sketch series can look like, and the Lonely Island’s Bash Brothers showed another method of delivery. Maybe FMMF is part of a new approach to presenting sketch comedy to viewers in fun-size bites that take a while to digest, and leave you wondering what you just watched.
What are we laughing at? Sign up here for the Daily Dot’s comedy newsletter, filled with news and insights from your host, Audra Schroeder.
Looking for something more specific? Here are our Netflix guides for the best war movies, documentaries, anime, indie flicks, true crime, food shows, rom-coms, LGBT movies, alien movies, gangster movies, Westerns, film noir, and movies based on true stories streaming right now. There are also sad movies guaranteed to make you cry, weird movies to melt your brain, old movies when you need something classic, and standup specials when you really need to laugh. Or check out Flixable, a search engine for Netflix.
Audra Schroeder is the Daily Dot’s senior entertainment writer, and she focuses on streaming, comedy, and music. Her work has previously appeared in the Austin Chronicle, the Dallas Observer, NPR, ESPN, Bitch, and the Village Voice. She is based in Austin, Texas.