Chris Osterndorf
Chris Osterndorf is an entertainment reporter and movie critic based in Los Angeles. He holds a degree in cinema from Chicago’s DePaul University. His work has appeared on the Daily Dot, Mic, the Script Lab, Salon, the Week, xoJane, and more.
The end of ‘House of Cards’ feels as fitting as it does oddly inevitable
The show’s final season asks whether feminism in conjunction with acts of evil is still feminism.
On Nov 2, 2018 by Chris Osterndorf
Netflix’s ‘White Fang’ has no bite
Despite a remarkable voice cast, this puppy chases its tail.
On Jul 9, 2018 by Chris Osterndorf
5 things I learned from ‘Arrested Development Season 4 Remix: Fateful Consequences’
Did the edit save a controversial season?
On May 30, 2018 by Chris Osterndorf
Don’t be fooled, Netflix’s ‘Dude’ is so much more than a stoner comedy
The progressive comedy swings for the fences.
On Apr 24, 2018 by Chris Osterndorf
Don’t miss Netflix’s meme-inspired baking competition
‘Nailed It!’ is the diversion we deserve.
On Mar 13, 2018 by Chris Osterndorf
Don’t worry, Jared Leto’s yakuza movie is too terrible to be offensive
Netflix’s ‘The Outsider’ is a stone-cold turkey.
On Mar 10, 2018 by Chris Osterndorf
‘Dope’ is an irresponsible, blunt-force documentary about drugs
In this harrowing Netflix series, the war on drugs comes home to roost.
On Feb 2, 2018 by Chris Osterndorf
‘Drug Lords’ tells the true-crime tales behind iconic movies
Season 1 of this Netflix docuseries breaks down icons like Pablo Escobar, Frank Lucas, and ‘Granny Evil.’
On Feb 1, 2018 by Chris Osterndorf
Don’t go into ‘The Open House’
Dylan Minnette stars in this brutally violent Netflix horror flick.
On Jan 21, 2018 by Chris Osterndorf
‘Dark’ is a gorgeous but plodding Netflix experiment
The streaming giant gambles on international prestige with this wild German series.
On Dec 2, 2017 by Chris Osterndorf
Netflix’s ‘Disjointed’ is offensive to stoners
Kathy Bates shines in this clunky sitcom about legal weed.
On Aug 25, 2017 by Chris Osterndorf
‘Gypsy’ is a perfect example of Netflix’s quality control problem
Despite an inspired Naomi Watts, this original series is a mess.
On Jul 2, 2017 by Chris Osterndorf
‘The Leftovers’ wasn’t just the best show on TV—it was the most important
The cathartic series gave us hope when we needed it most.
On Jun 5, 2017 by Chris Osterndorf
What the failure of ‘Iron Fist’ means for ‘The Defenders’
Where does Marvel go from here?
On Mar 25, 2017 by Chris Osterndorf
A timeline of the Lonely Island’s trail-blazing Internet comedy
From Heavy.com to ‘Popstar.’
On Jun 3, 2016 by Chris Osterndorf
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