David Bukach/Netflix

The new Jeremy Saulnier film is icy, gory, and a little boring.

Hold the Dark, the latest film from Jeremy Saulnier and his first for Netflix, conveys the feeling of cold so expertly that it lingers long after you’ve watched. It is a full-body experience; the Alaska depicted in this film is both hungry and distant. 

And yet, for all its expert scene-setting, the film never quite reaches the climax many viewers likely anticipate. Saulnier’s previous two films, Blue Ruin and Green Room, have crime-noir foundations and explore what happens when people are put in unfavorable situations. The same is true with Hold the Dark, but there’s a little too much grey area. 

hold the dark review box The Daily Dot

Macon Blair, who starred in Saulnier’s past films (and makes a fateful cameo in this one), adapted Hold the Dark from William Giraldi’s 2014 novel of the same name, and Westworld’s Jeffrey Wright plays Russell Core, the novel’s wolf researcher. He’s called to the small Alaskan village of Keelutalso the name of an evil spirit in Inuit mythologyby Medora Slone (Riley Keough) to investigate the disappearance of her son. She assures him wolves took the young boy and orders him to kill the one that did it so she can have answers for her husband Vernon (Alexander Skarsgård), who is fighting in Fallujah.

That’s where we first meet Vernon, as he is mowing down enemy combatants with a blank look on his face, and that look never really changes as the film progresses. Back in Alaska, Russell is trying to figure out Medora’s motives and they have a few low-talking, subdued exchanges that are more curious than affecting. I started wondering if Wright was just channeling Bernard from Westworld, and maybe this movie was just him in another reality.

hold the dark review David Bukach/Netflix

Save for a stunning, extended shootout between local cops and Vernon’s friend Cheeon (the excellent Julian Black Antelope)—which is the only time the villagers’ thoughts on outsiders and police is really discussed—the film remains subdued. And it leaves us with some plot holes. Russell knows from villagers that there is something evil there, and that it might have to do with wolves, and that Medora might be part of it, but the mythology is never really explained. Vernon and Medora’s past with the Native people is also never sketched out. There are references to PTSD and postpartum depression, but they’re never explored at length.

It is implied that Vernon has something inhuman in his blood, though, and when he returns from war he picks up a wolf mask and gets bent on revenge. At a post-screening Q&A after the film’s Fantastic Fest debut, Saulnier said he didn’t want to use CGI and that he employed real wolf actorsindeed, he gets more of an emotional reaction from the wolves than the humans at times. But there was a tiny part of me that expected Skarsgård to shapeshift, especially after it’s suggested he “let the wolf out a little.” 

But Hold the Dark’s isn’t a shapeshifting Skarsgård kind of movie. Its revenge narrative unfolds more organically, but without much context or clarity; Blair sketched out a much more engrossing character with his debut 2017 film, I Don’t Feel at Home in This World Anymore. Often it’s the mark of a good film when you’re left with questions about what just happened, but Hold the Dark mostly just leaves that feeling of cold.

Still not sure what to watch tonight? Here are our guides for the absolute best movies on Netflix, must-see Netflix original seriesdocumentariesdocuseries, and movies.

Need more ideas? Here are our Netflix guides for the best war moviesdocumentariesanimeindie flickstrue crimefood shows, LGBT moviesgangster moviesWesternsfilm noir, and movies based on true stories streaming right now. There are also sad movies guaranteed to make you cry, weird movies to melt your brain, old movies when you need something classic, and standup specials when you really need to laugh. Or check out Flixable, a search engine for Netflix.

Audra Schroeder

Audra Schroeder

Audra Schroeder is the Daily Dot’s senior entertainment writer, and she focuses on streaming, comedy, and music. Her work has previously appeared in the Austin Chronicle, the Dallas Observer, NPR, ESPN, Bitch, and the Village Voice. She is based in Austin, Texas.