tv reviews

Amazon’s ‘Hanna’ miniseries offers a more conventional take on the teen spy thriller

Gavia Baker-Whitelaw— March 21

‘Queer Eye’ season 3 serves more frothy fun and cathartic realness

Caitlin Moore— March 19

‘Love, Death & Robots’ suffers from blatant sexism

Gavia Baker-Whitelaw— March 18

‘Arrested Development’ ends the same way it did the first time—unceremoniously

Chris Osterndorf— March 18

‘The Order’ casts an entertaining spell

Eddie Strait— March 13

Aidy Bryant tackles internet trolls and body image in ‘Shrill’

Audra Schroeder— March 11

‘After Life’ shows Ricky Gervais’ sweet side

Brenden Gallagher— March 9

‘Turn Up Charlie’ spins mostly uninspired clichés

Michelle Jaworski— March 8

‘Workin’ Moms’ is too privileged to be ‘honest’

Caitlin Moore— March 2

‘The Widow’ is a lifeless thriller that struggles to make an impact

Eddie Strait— March 1

‘This Giant Beast That Is the Global Economy’ is creative edutainment

Kahron Spearman— February 26

‘Lorena’ deserves to be your new true crime obsession

Eddie Strait— February 15

‘Weird City’ is a bonkers sci-fi series that’s out to troll us

Tiffany Kelly— February 14

‘Doom Patrol’ gets off to a slow start—but hints at good things to come

Gavia Baker-Whitelaw— February 11

‘Dating Around’ lets us observe other people’s tedious first dates

Tiffany Kelly— February 11

‘PEN15’ is a painfully accurate cringe comedy with an emotional core

Bryan Rolli— February 10

Netflix’s ‘Dragon Prince’ expands its fantasy world in season 2

Gavia Baker-Whitelaw— February 8

‘Always a Witch’ can’t shake the weight of the problematic love story at its core

Michelle Jaworski— February 7

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