tv reviews

‘The Stranded’ is a flawed yet addictive blend of ‘Degrassi’ and ‘Lost’

John-Michael Bond— November 19

‘The Crown’ season 3 switches its cast but loses none of its intrigue

Chris Osterndorf— November 18

‘Marvel’s Hero Project’ is the wholesome content 2019 needs

Nahila Bonfiglio— November 15

‘The Imagineering Story’ offers touching insight into Walt Disney’s vision

Kahron Spearman— November 13

Disney+’s ‘Encore!’ is a love letter to high school theater

John-Michael Bond— November 12

Why Lady Trieu’s costume is so significant in ‘Watchmen’ episode 4

Gavia Baker-Whitelaw— November 10

‘Scams’ is yet another show about how capitalism crushes and corrupts us

Brenden Gallagher— November 7

‘The End of the F***ing World’ season 2 brings the show to a fittingly bleak end

Audra Schroeder— November 5

Apple TV’s ‘Ghostwriter’ reboot is a delightful ode to classic literature

Kahron Spearman— November 4

Netflix’s ‘Nowhere Man’ brings technical brilliance to a so-so script

Brenden Gallagher— November 1

‘See’ is visually stunning but hollow

Michelle Jaworski— November 1

‘Jack Ryan’ beefs up its protagonist in a breathless season 2

Kahron Spearman— October 31

Netflix prison drama ‘Brotherhood’ fails to critically examine a broken system

Kahron Spearman— October 30

Netflix’s ‘Monzón: A Knockout Blow’ gets winded by its halfway point

Eddie Strait— October 29

HBO’s ‘His Dark Materials’ is a stylish but overly simplified adaptation

Gavia Baker-Whitelaw— October 29

Netflix’s ‘Prank Encounters’ is just ‘Punk’d,’ 15 years too late

Audra Schroeder— October 24

‘BoJack Horseman’ hints at a brutal reckoning in its final season

Bryan Rolli— October 23

Netflix’s ‘Unnatural Selection’ breaks down the pros and cons of biohacking

Eddie Strait— October 21

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