netflix reviews

‘The Dirt’ offers a sanitized history of Mötley Crüe—but why?

Audra Schroeder— March 22

‘Queer Eye’ season 3 serves more frothy fun and cathartic realness

Caitlin Moore— March 19

Amy Schumer addresses her ‘Growing’ pains in new Netflix special

Audra Schroeder— March 19

‘Love, Death & Robots’ suffers from blatant sexism

Gavia Baker-Whitelaw— March 18

‘Arrested Development’ ends the same way it did the first time—unceremoniously

Chris Osterndorf— March 18

‘Triple Frontier’ takes on a big heist but falls short

Michelle Jaworski— March 15

‘The Order’ casts an entertaining spell

Eddie Strait— March 13

‘The Highwaymen’ tries to do right by Frank Hamer

Eilish O'Sullivan— March 11

‘After Life’ shows Ricky Gervais’ sweet side

Brenden Gallagher— March 9

Netflix’s ‘Juanita’ is a run-of-the-mill dramedy with a fine performance from Alfre Woodard

Eddie Strait— March 8

‘Turn Up Charlie’ spins mostly uninspired clichés

Michelle Jaworski— March 8

In ‘Losers,’ no one prepares for defeat—they survive it

Kahron Spearman— March 4

‘Workin’ Moms’ is too privileged to be ‘honest’

Caitlin Moore— March 2

‘The Boy Who Harnessed the Wind’ is an earnest portrayal of a young boy’s ingenuity

Michelle Jaworski— March 1

Netflix’s ‘Paris Is Us’ follows one woman’s quest for emotional authenticity

Eddie Strait— February 25

Mark Duplass and Ray Romano transcend the typical bromance in ‘Paddleton’

Eddie Strait— February 22

‘Yucatán’ is a caper comedy that’s long on cons but short on laughs

Eddie Strait— February 19

Kevin Hart goes educational in ‘Guide to Black History’

Kahron Spearman— February 12

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