- ICE cuts the cord on real immigrant hotline after being featured in ‘Orange Is the New Black’ Today 10:49 AM
- The 10 best music podcasts for artist interviews and criticism in 2019 Today 10:41 AM
- How a socialist Twitch streamer landed in a feud with Dan Crenshaw Today 10:07 AM
- How to prepare for your fantasy football draft (and season) Today 9:00 AM
- Kit Harington is joining the MCU–and people are guessing which character he will play Today 8:48 AM
- How to live stream Juan Francisco Estrada vs. Dewayne Beamon Today 8:00 AM
- The 5 best free torrent clients you can download in 2019 Today 8:00 AM
- How to stream Saints vs. Jets in NFL preseason action Today 7:49 AM
- How to stream Chiefs vs. 49ers in NFL preseason action Today 7:36 AM
- How to live stream Bellator 225: Mitrione vs. Kharitonov Today 7:30 AM
- Alice Wetterlund draws insight from the last decade in ‘My Mama Is a Human and So Am I’ Today 7:00 AM
- How to stream the Cowboys vs. Texans NFL preseason showdown Today 7:00 AM
- How ‘Stranger Things’ is inspiring new waves of Dungeons and Dragons fans Today 6:00 AM
- Why you should be watching ‘Red vs Blue’ on Netflix Today 6:00 AM
- How to live stream Sergey Kovalev vs. Anthony Yarde Today 5:00 AM
Netflix’s toothless and boring Black Summer, a horror-drama set at the origin of a zombie outbreak from the canceled Z Nation universe, follows an assortment of desperate characters grappling with swift societal decline. With the rule of law, both legal and human, in the dumps, the group gets chased around this thing, and around that thing, and this other thing.
The eight-episode series, which adds absolutely nothing to the genre, is a wildly flat, poorly acted trainwreck that confuses jumpy, Children of Men camera work and smart-dumb zombies for high-quality storytelling.
CREATORS: John Hyams, Karl Schaefer
Not another bad zombie show.
More of a horror-comedy, Z Nation ended after five seasons on SyFy. Black Summer represents the former series’ more drama-filled dawn but isn’t connected in any other way. There’s no reasoning or history on how or why the world was befallen by the zombie apocalypse, with episodes uselessly partitioned in titled acts to foretell whatever will come forth. All takes place in the usual dreary, steely color palette, indicating an ominous future.
The survivors’ principal goal is to run as fast as they can toward a stadium where the military is supposedly doing well against the zombies. Jaime King stars as Rose, who is given the cliche hero’s journey of finding her daughter, who was taken away during an escape toward a military convoy. Throughout the first episode, sweat-drenched, confused characters pop up, generally in fits of terror, with their own underdeveloped stories. Spears (Justin Chu Cary) is the requisite mystery man with the gun. Everyone works through the language confusion with Korean-born Kyungson (Christine Lee). William Velez (Sal Velez Jr.) is always just angry enough to do squat unless a zombie is in his grill.
Some characters are given unusual amounts of space, like Lance (Kelsey Flower), who for most of an entire episode runs from a solitary zombie. Yes, one zombie, which is smart enough to race around a bus, or sus out hiding spots, but literally gets stuck in a book store door. This is an ongoing issue with the zombies that appear to be excellent in pursuit, but get caught up in the weirdest positions. The stiff acting in Black Summer is also a broad issue throughout the series, accentuated by the bad scripting and ineffective plotting.
For example, Rose emerges as a leader in episode 6 even though she’s been one of the most helpless characters in the show until then. After everyone else has done the yeoman’s work of killing zombies, she’s suddenly emboldened, with the clan looking toward her. She slows-walks out of a diner, once used as a hiding spot, where everyone else joins in and follows her out.
The worst part is that there’s a veritable wealth of knowledge on exactly how to make a simply passable zombie show. The Walking Dead franchise built an interesting playground and found interesting people to be our guides. The monsters are guided by rules that don’t bend for the sake of convenience. There are bad people who often turn out to be just as monstrous as the zombies. None of that occurs here. Netflix seemingly wanted cheap thrills—and it got them.
Need more ideas? Here are our Netflix guides for the best war movies, documentaries, anime, indie flicks, true crime, food shows, gangster movies, Westerns, and movies based on true stories streaming right now. There are also sad movies guaranteed to make you cry, weird movies to melt your brain, and standup specials when you really need to laugh. Or check out Flixable, a search engine for Netflix.
Kahron Spearman is a music and film critic whose work can also regularly be regularly found in the Austin Chronicle.