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- People on Twitter are posting the 5 weirdest jobs they’ve had for this meme Wednesday 6:48 PM
- Mortal Kombat 11’s Jax ends slavery—and gamers are pissed Wednesday 5:46 PM
- GPS app gave hacker ability to remotely shut off car engines Wednesday 3:58 PM
- Scott Walker wore jeans for sexual assault awareness, and Twitter is reminding him of his misogynist past Wednesday 3:24 PM
- Hacked Lime scooters make sexual comments to riders Wednesday 3:03 PM
- ‘Bonding’ squanders its potential with weak jokes and limp structure Wednesday 2:49 PM
- The safest place for ‘Game of Thrones’ memes is in the crypts Wednesday 2:23 PM
- Report: Fortnite developer Epic Games is working employees into the ground Wednesday 1:57 PM
- Damian Lillard’s game-winning 3-pointer inspired a plethora of memes Wednesday 12:17 PM
- Gamers are blaming socialism for making the women in Mortal Kombat ‘ugly’ Wednesday 11:36 AM
- Nickelodeon is selling SpongeBob toys based on popular memes Wednesday 11:25 AM
- Alex Jones protests outside the White House by shouting the name of his website Wednesday 11:13 AM
- ‘I Think You Should Leave with Tim Robinson’ has an absurd conclusion for every scenario Wednesday 10:52 AM
- Twitch star TF Blade banned for racial slur—but he swears he didn’t say it Wednesday 10:43 AM
‘Calvin and Hobbes’ creator Bill Watterson’s secret return to comics
Bill Watterson has brought his work back to the funny pages. The best part? Millions of readers had no idea.
On Dec. 31, 1995, Calvin and Hobbes rode off on a sled. Nearly 19 years later, creator Bill Watterson has brought his work back to the funny pages. The best part? Millions of readers had no idea.
This week, Watterson was a secret guest artist on the comic strip Pearls Before Swine, written and illustrated by Stephan Pastis. In the series, Pastis, as a character in his own strip, meets a second-grader named Libby, who thinks Pastis draws like crap and offers to take over Pearls for a while.
Then, like one of Calvin’s fantasies, a random martian robot attack interrupts the narrative. Alligators eat the cartoonist. Libby gets bored and leaves. “There’s a magical world out there,” she says.
Fans, of course, started to get suspicious. “There are definitely some Wattersonian touches … and the complaint about the lack of space in modern comic strips that serves as the punchline sure does sound like Watterson,” Paul Constant analyzed on the Stranger Friday.
That “magical world” line is how Calvin signed off, too. Libby’s complaint about needing more space to work within reflects Watterson’s push to have his series printed in full size on Sundays. And Libby, or Lib, is “Bill” backward.
Watterson made Pastis promise not to reveal anything until the project was over. But on Monday, the younger cartoonist couldn’t help but tease something incredible. On Saturday morning, he finally revealed all on his blog.
Pastis reveals how the project came together:
I … thanked [Watterson] for all his great work and the influence he’d had on me. And never expected to get a reply.
And what do you know, he wrote back.
Let me tell you. Just getting an email from Bill Watterson is one of the most mind-blowing, surreal experiences I have ever had. Bill Watterson really exists? And he sends email? And he’s communicating with me?
But he was. And he had a great sense of humor about the strip I had done, and was very funny, and oh yeah….
…He had a comic strip idea he wanted to run by me.
Now if you had asked me the odds of Bill Watterson ever saying that line to me, I’d say it had about the same likelihood as Jimi Hendrix telling me he had a new guitar riff. And yes, I’m aware Hendrix is dead.
So I wrote back to Bill.
I will do whatever you want, including setting my hair on fire.”
And the biggest challenge with working with Watterson? To put it kindly, “technology was not his friend,” Pastis writes.
And this is when I found out that Bill Watterson is not comfortable with scanners or Photoshop or large email attachments. In fact, by the end of the process, I was left with the distinct impression that he works in a log cabin lit by whale oil and hands his finished artwork to a man on a pony.
So I proposed working out our technological issues over the phone. But he didn’t want to.
At first I thought it was because he didn’t own one. Or have electricity. But then I remembered we were emailing.
And so I soon came to the sad realization that he probably just didn’t want me to have his phone number. Which was smart. Because I would have called that man once a week for the rest of his life.
And unlike every other technological problem I’ve ever had, it was not frustrating.
It was the highlight of my career.
Take Tim Carmody’s advice and read forward from Monday. But the site GoComics was slowing down for me, possibly from all the traffic it must be getting from Pastis’s blog. So here are a few of the comics, embedded from Pastis’s Twitter.
This week’s Pearls strips will contain a mind-blowing surprise. I promise. pic.twitter.com/bzLS9zkBdF
— Stephan Pastis (@stephanpastis) June 2, 2014
The second strip in this week’s series. pic.twitter.com/YFHCih07tp
— Stephan Pastis (@stephanpastis) June 3, 2014
Day 3 in this week’s series. The little girl can draw. pic.twitter.com/bfsXMLjbvq
— Stephan Pastis (@stephanpastis) June 4, 2014
Day 4 in this week’s series: Libby just gets better and better. pic.twitter.com/lCc7kPlWvs
— Stephan Pastis (@stephanpastis) June 5, 2014
Day 5 in the series. So who is really drawing my comic strip? Me? A second grader? Someone else? pic.twitter.com/Klx2YT5Cso
— Stephan Pastis (@stephanpastis) June 6, 2014
The art will be auctioned off and donated to charity. It really is a magical world, Hobbes ol’ buddy.
A former assigning editor for the Daily Dot, Cooper Fleishman's work focused on the web culture and niche internet communities. He joined Mic as a senior editor in 2015. His work has been published by HyperVocal and the Good Men Project, and he previously copyedited for Rolling Stone, Men's Journal, and Us Weekly.