- Jared Leto reportedly tried to stop ‘Joker’ from happening Today 4:12 PM
- People are grossed out by cow insemination-themed pregnancy announcement Today 3:13 PM
- Major protests in Lebanon triggered by plan to tax WhatsApp calls Today 1:38 PM
- Frank Ocean’s $60 HIV prevention drug-themed shirts called tone-deaf Today 12:49 PM
- ‘Joker’ stairs latest Instagram spot; locals joke about potential robberies Today 10:30 AM
- PewDiePie banned in China after reacting to Winnie the Pooh memes Today 8:46 AM
- How to stream Cowboys vs. Eagles on Sunday Night Football Today 7:00 AM
- How to stream Chargers vs. Titans in Week 7 Today 6:00 AM
- 13 spooky romance games for adults Today 6:00 AM
- How to stream ‘Power’ season 6, episode 9 Today 5:00 AM
- How to stream Impact Wrestling’s Bound For Glory Today 5:00 AM
- How to stream Bills vs. Dolphins in Week 7 Today 4:30 AM
- How to stream Jaguars vs. Bengals in Week 7 Today 4:00 AM
- How to stream Texans vs. Colts in Week 7 Today 3:00 AM
- How to stream Manchester United vs. Liverpool Saturday 10:00 PM
When the New York Times published an interview promoting a novel that “dares to mix slavery and sci-fi,” the reactions from literary circles on Twitter were swift and damning. Was it really fair for a white author to be praised as “fearless” for writing a book like this one?
Underground Airlines is a new thriller by novelist and playwright Ben H. Winters, set in an alternate reality where the American Civil War never happened. The protagonist is a former slave who nows works as a bounty hunter, specializing in tracking down escaped slaves. After capturing more than 200 people, Victor’s next task is to infiltrate an abolitionist movement known as the Underground Airlines.
In the interview, Winters is forthright about the controversial nature of this subject-matter. “The first impulse is to go, oh man, are you supposed to be writing about that, as a white American?” he told the Times. “We tend to think of racism and slavery as something that’s appropriate only for black artists to engage with, and there’s something troubling and perverse about that.”
Other authors did not accept this attitude with open arms.
Who knows, the book could be great, but it’s beyond tiresome to see this kind of writing be praised as original and “fearless.” It’s not.
— Malinda Lo (@malindalo) July 5, 2016
“Someone should write a sci-fi novel tackling American slavery and black racial identity. It should be ME.”
-White dudes everywhere.
— J. Ire (@justinaireland) July 5, 2016
An established author telling stories of PoC, risks nothing. Absolutely nothing. The most they’ll suffer is some side eye and snarky tweets.
— J. Ire (@justinaireland) July 5, 2016
The book was published this week and has already landed a TV deal, with Winters writing the pilot script.
Some found this positive coverage galling for a number of reasons. First of all, it’s demonstrably harder for authors of color to receive equal media attention alongside white writers. Secondly, the Times story plays into a long tradition of white artists being celebrated for tackling topics others have already covered with more personal expertise.
Underground Airlines is especially frustrating for fans of the acclaimed sci-fi author Octavia Butler, whose work often explored racist and sexist power structures. As a winner of several Nebula and Hugo Awards and the first person to receive a MacArthur Genius Grant for science fiction writing, she’s a towering figure in the genre. She was also a black woman, and unlike many other sci-fi icons of the 20th century—Clarke, Asimov, Dick, Atwood—none of her work has ever been adapted for film or TV. This includes her novel Kindred, which some people are recommending as an alternative to reading Underground Airlines.
In the article, The Magicians author Lev Grossman says, “This is a white writer going after questions of what it’s like to be black in America. It’s a fearless thing to do.”
Author and activist Daniel José Older countered on Twitter that that “fearlessness” mostly relates to criticism on social media. Winters’s career is unlikely to be in much danger as a result of writing this book, especially if he already has a TV adaptation in the works.
*being* a writer of color is risky and requires fearlessness.
Writing characters of color when you’re white means you get called brave.
— Daniel José Older (@djolder) July 5, 2016
Winters hasn’t directly responded the uproar on Twitter.
…and with that I’m going on a Twitter-cation for the time being…
— Ben H Winters (@BenHWinters) July 5, 2016
Gavia Baker-Whitelaw is a staff writer at the Daily Dot, covering geek culture and fandom. Specializing in sci-fi movies and superheroes, she also appears as a film and TV critic on BBC radio. Elsewhere, she co-hosts the pop culture podcast Overinvested. Follow her on Twitter: @Hello_Tailor