- The actor who played Greedo is just as confused by ‘maclunkey’ as you are Friday 4:57 PM
- AirPods are getting that sweet, sweet Black Friday price drop Friday 4:24 PM
- Looking for a Nintendo Switch? Black Friday deals are here Friday 4:04 PM
- Facebook copies Instagram with experimental ‘Popular Photos’ feature Friday 3:58 PM
- This iPhone app says it will alert you if you’ve been hacked Friday 2:43 PM
- ‘Marvel’s Hero Project’ is the wholesome content 2019 needs Friday 2:40 PM
- Get more out of VSCO with VSCO search Friday 2:09 PM
- Twitter carves out ‘cause-based’ advocacy exemption in political ads ban Friday 2:06 PM
- Disney+ accounts are being hacked—here’s how to protect yourself Friday 1:52 PM
- Instagram is hiding likes globally and searching for a ‘well-being’ product researcher Friday 1:42 PM
- ‘The Mandalorian’ opens up its mythology even further in ‘Chapter 2’ Friday 12:54 PM
- Want to buy a drone on a budget? We’ve got you covered Friday 12:51 PM
- ‘Simpsons’ writer accuses Republicans of stealing Sideshow Bob’s defense Friday 12:49 PM
- Keanu Reeves’ appearance in ‘SpongeBob Movie’ trailer quickly becomes a meme Friday 12:35 PM
- Charli XCX makes the band in Netflix’s ‘Nasty Cherry’ Friday 12:33 PM
This week, we decompress from SXSW 2018 and look back on what we saw and what we learned. One of the things we learned: Thandie Newton’s response to being asked what it’s like to play a strong female character during the Westworld panel is the only answer.
It was a big year for TV at SXSW, for both indie creators and marquee names: Tracy Morgan debuted his new TBS show The Last O.G., Netflix rallied for its hip-hop doc Rapture, and Westworld recreated Sweetwater, pushing fans to contemplate their moral color scheme. Bravo promoted original scripted series Imposters with a lavish party and social media gags. Fox Sports began its tall task of selling a World Cup that the United States didn’t qualify for.
Audra Schroeder is the Daily Dot’s senior entertainment writer, and she focuses on streaming, comedy, and music. Her work has previously appeared in the Austin Chronicle, the Dallas Observer, NPR, ESPN, Bitch, and the Village Voice. She is based in Austin, Texas.