- Why Britons are tweeting ‘Little England’ in wake of the U.K. election Today 3:22 PM
- Net neutrality advocates ask for rehearing on federal court decision Today 2:29 PM
- Americans are sharing their #PrivateHealthLIFEhacks to help Brits Today 2:28 PM
- Warren, Sanders, Yang pledge to skip next week’s debate over union dispute Today 2:12 PM
- How to watch tonight’s Nets vs. Raptors matchup on NBA TV Today 2:00 PM
- Alt-right comedian Owen Benjamin banned from Instagram over anti-Semitic memes Today 1:55 PM
- TikTok teens are procrastinating with #FinalsWeek Today 1:46 PM
- ‘The Mandalorian’ takes on a prison break in episode 6 Today 1:30 PM
- Nick Cannon vs. Eminem battle expected to escalate after ‘off-limits’ daughter diss Today 12:50 PM
- Laura Loomer vehemently denies being author of new Laura Loomer-themed action novel Today 12:30 PM
- PewDiePie’s poop-inspired game gets banned by Apple Today 11:29 AM
- ‘Game of Thrones’ showrunners to adapt ‘Lovecraft’ graphic novel to screen Today 11:00 AM
- The 50 memes that defined the decade Today 10:45 AM
- Venmo users are getting harassed with fraudulent payment requests Today 10:38 AM
- Twitter pledges to verify politicians in national primaries Today 9:34 AM
The Muslim world is the ultimate frontier for Hollywood—a demographic that covers much of the global population. Not for nothing, the purchase of the solid and heartfelt romantic comedy Ali’s Wedding represents Netflix swinging for the fences.
Osamah Sami—star and co-writer of the film, which he built from real-life family experience—said the film is “history-making, the first Muslim rom-com, so it’s going to hopefully pave the way for many other similar stories, not just from the Muslim community but other communities and minorities in our society.”
Giving no short shrift to the film as a standalone, the charming Ali’s Wedding serves as a functional rom-com adapted from Sami’s memoir Good Muslim Boy, a bright and honest look into the reconciliation of the modern world and Muslim tradition. (This, of course, varies depending on the sect, heritage, country of origin, and adaption to secularity.) Sami and Andrew Knight (Hacksaw Ridge) tell the story of Ali (Sami, in a strong performance), a young Iraqi-Australian trying his hardest to make his cleric father (seasoned Australian TV actor, Don Hany) and local community proud—and to beat back the pressure from a rival peer.
The story is built around a grand lie that he’s passed his tests to get into medical school. He even doubles down on his fabrication by attending the classes anyway. He’s quickly found out by the apple of his eye, Dianne (Helana Sawires, in a moving portrayal), a medical student and the daughter of a Lebanese fish and chip spot owner. In the course of all this, Ali has already been set up in an arranged marriage he’s desperately trying to get out of, leading to one of the film’s best scenes: the ceremonial tea services to consummate the arrangement.
In the end, Sami and Knight make use of all the usual rom-com cliches, even the “I can’t marry this other woman, so I’m escaping to the airport to find my true love” trope. However, the decisions come with qualitative, selective cheekiness directly aimed at Western filmmakers. The somewhat predictable setup and conclusion allow for some nuanced takes through Sami’s Muslim lens.
The other standout of the film is Don McAlpine, an expert cinematographer who previously earned an Oscar nomination for Moulin Rouge!, and provides excellent coloring, pace, and adds a particular tangibility for the story’s words.
In Ali’s Wedding and Netflix’s decision to pick up the film for their international audience, Sami has probably accomplished his wish. In staying true to his roots, he’s forged a path forward for Muslims worldwide to follow.
Still not sure what to watch on Netflix? Here are our guides for the absolute best movies on Netflix, must-see Netflix original series and movies, and the comedy specials guaranteed to make you laugh.
Kahron Spearman is a music and film critic whose work can also regularly be regularly found in the Austin Chronicle.