Teen Wolf The Leftovers Instagram account Monday.
“I now believe that by omitting this part of myself from the record, I am complicit in perpetuating the suffering, fear, and shame cast upon so many in the world,” Carver wrote in his lengthy missive. “In my silence, I’ve helped decide for to you too that to be gay is to be, as a young man (or young woman, young anyone), inappropriate for a professional career in the Arts (WHAAA???) So now, let the record show this- I self-identify as gay.”
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Pt 3: After the first episode of television I shot went to air, it became clear to me that I was at least no longer anonymous. For the first time, I found myself stopped on the street, asked to take a picture by a complete stranger – part of the job I had willingly signed up for. Fame, to whatever degree, is a tricky creature. In this day and age, particularly with the access offered by social media, it demands that you be On, that you be Yourself, Always, in your work and to your fans. In this way, the distinction between public and private has become blurry, begging questions like “to what extent do I share myself? Do what extent do I have to?” When it came to this differentiation of public/private, I was of the opinion that my sexuality could stay off the table. While my Coming Out was very important for me, I wanted to believe in a world where one’s sexuality was for the most part irrelevant. That it didn’t “matter,” or that at least it was something that didn’t need to or ideally shouldn’t ever have to be announced to a stranger, a new colleague, an interviewer. Even the words “Coming Out” bothered me. I took issue with them insofar as that “Coming Out” implied being greeted with attention, attention for something I would prefer to be implicitly just Human, an attribute or adjective that was only part of how I saw my whole self. I did not want to be defined by my sexuality. Sure, I am a proud gay man, but I don’t identify as a Gay man, or a GAY man, or just gay. I identify as a lot of things, these various identifications and identities taking up equal space and making up an ever-fluid sense of Self. Furthermore, as an actor, I believed that my responsibility to the craft and the business was to remain benevolently neutral – I was a canvas, a chameleon, the next character. For the most part I had a duty to stay a Possibility in the eye of casting, directors, and the public. If I Came Out, I feared I would be limiting myself to a type, to a perception with limits that I was not professionally comfortable with. And I created in my imagination an Industry that was just as rigid in this belief as well.
A post shared by Charlie Carver (@charliecarver) on Jan 11, 2016 at 2:18pm PST
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Pt 5: But what can I do? How can I participate? Honesty is probably a great step in the right direction. I now believe that by omitting this part of myself from the record, I am complicit in perpetuating the suffering, fear, and shame cast upon so many in the world. In my silence, I’ve helped decide for you too that to be gay is to be, as a young man (or young woman, young anyone), inappropriate for a professional career in the Arts (WHAAA???) So now, let the record show this- I self-identify as gay. And does that really matter anymore? As a young man, I needed a young man in Hollywood to say that- and without being a dick about it, I owe it to myself, more than anything, to be who I needed when I was younger. Happy 2016, and all my best to you and yours in the year ahead. And let the record show my twin brother is just as cool for being straight. Much Love, C
A post shared by Charlie Carver (@charliecarver) on Jan 11, 2016 at 2:21pm PST
Fans and fellow out entertainers have taken to social media to show support for Carver.
https://twitter.com/blackscartissue/status/686700555830427648
Screengrab via HappyCool /YouTube
*First Published: Jan 11, 2016, 9:50 pm
A former YouTube reporter for the Daily Dot, Rae Votta has more than a decade of experience in the digital and entertainment industries. Her work has appeared on AOL, Huffington Post, Out Magazine, Logo, VH1, Current TV, Billboard, and NYMag. She joined Netflix in 2016.
