- Ocasio-Cortez helps Donkey Kong Twitch streamer raise money for trans rights 2 Years Ago
- ‘Soni’ is a smart crime drama with poignant observations on inequality Today 7:00 AM
- How to watch ‘Arrow’ online for free Today 7:00 AM
- How a Barron Trump time traveling conspiracy keeps going viral Today 6:30 AM
- Swipe This! Will I be happier if I quit social media? Today 6:30 AM
- Free DVR makes Hulu with Live TV an even sweeter deal Today 6:00 AM
- How to watch ‘Black Lightning’ online for free Today 5:30 AM
- This ‘scientist’ learned what women find attractive by A/B testing his beard on Tinder Today 5:00 AM
- Laura Ingraham mocks Rep. Ilhan Omar’s accent in audio clip Sunday 5:46 PM
- #ExposeChristianSchools goes viral after Karen Pence and Covington Catholic School uproars Sunday 4:37 PM
- People have started laundering money on Fortnite Sunday 3:03 PM
- Cardi B claps back at Tomi Lahren’s sarcastic tweet Sunday 1:25 PM
- Twitter may have exposed Android users’ private tweets Sunday 12:13 PM
- Leave Me Alurn is the ‘SNL’ product we wish existed in real life Sunday 10:06 AM
- How to watch ‘Charmed’ online for free Sunday 9:00 AM
Facebook’s Mark Zuckerberg under fire for censoring famous Vietnam photo
‘I think you are abusing your power.’
“Dear Mark Zuckerberg. I follow you on Facebook, but you don’t know me. I am editor-in-chief of the Norwegian daily newspaper Aftenposten. I am writing this letter to inform you that I shall not comply with your requirement to remove a documentary photography from the Vietnam war made by Nick Ut.
“Not today, and not in the future.”
So begins a front-page open letter by Epsen Egil Hansen, who is publicly challenging the Facebook CEO to stop “abusing your power” as the “world’s most powerful editor” for the company’s recent censorship of multiple posts containing the iconic and infamous “Napalm Girl” photograph that helped expose the horrors of the Vietnam War.
The censorship of the photograph raises key questions about Facebook’s role as the world’s most popular distribution channel for news and other media, particularly in the wake of Zuckerberg’s recent insistence that the social network is “a tech company, not a media company.”
The Pulitzer Prize-winning photo, captured in 1972, depicts a naked 9-year-old girl, Kim Phúc, fleeing U.S. napalm bombs. As Hansen explains, the photograph was included in a Facebook post by Norwegian novelist Tom Egeland about photos that “changed the history of warfare.”
Facebook then deleted the photo from Egeland’s post on the grounds that it contains an image of a naked young girl—despite, as Business Insider points out, a Facebook feature that enables it to place a “graphic content” warning on certain imagery. Egeland then reposted the photograph with the Facebook logo covering her genitals, as a protest against the social network’s inability to distinguish between child pornography and historically important works of journalism. Facebook then suspended Egeland’s account.
Aftenposten then posted the photo itself, which triggered an email from Facebook warning the newspaper to remove the post. Facebook then deleted the post itself.
“Listen, Mark, this is serious,” writes Hansen. “First you create rules that don’t distinguish between child pornography and famous war photographs. Then you practice these rules without allowing space for good judgement. Finally you even censor criticism against and a discussion about the decision—and you punish the person who dares to voice criticism.”
While Zuckerberg may believe that Facebook is a technology company and not in the media business, Hansen offers a compelling argument to the contrary.
“Even for a major player like Aftenposten, Facebook is hard to avoid. In fact we don’t really wish to avoid you, because you are offering us a great channel for distributing our content. We want to reach out with our journalism,” he writes. “However, even though I am editor-in-chief of Norway’s largest newspaper, I have to realize that you are restricting my room for exercising my editorial responsibility. This is what you and your subordinates are doing in this case.
“I think you are abusing your power, and I find it hard to believe that you have thought it through thoroughly.”
Facebook did not immediately respond to our request for comment. In a statement provided to the Guardian, however, a company spokesperson acknowledged “that this photo is iconic,” but challenged that “it’s difficult to create a distinction between allowing a photograph of a nude child in one instance and not others.”
“We try to find the right balance between enabling people to express themselves while maintaining a safe and respectful experience for our global community,” the statement continued. “Our solutions won’t always be perfect, but we will continue to try to improve our policies and the ways in which we apply them.”
Hansen disagrees that Facebook is creating a “safe and respectful experience” for the social network’s more than 1 billion users.
“If you will not distinguish between child pornography and documentary photographs from a war, this will simply promote stupidity and fail to bring human beings closer to each other,” he writes.
“To pretend that it is possible to create common, global rules for what may and what may not be published, only throws dust into peoples’ eyes.”
Update 12:41pm CT, Sept. 9: Facebook says it will reinstate the photo, according to New York Times reporter Mike Issac:
Facebook says it has decided to reinstate the napalm girl photo.
— ಠ_ಠ (@MikeIsaac) September 9, 2016
Contact the author: Andrew Couts, [email protected]
Andrew Couts is the former editor of Layer 8, a section dedicated to the intersection of the Internet and the state—and the gaps in between. Prior to the Daily Dot, Couts served as features editor and features writer for Digital Trends, associate editor of TheWeek.com, and associate editor at Maxim magazine. When he’s not working, Couts can be found hiking with his German shepherds or blasting around on motorcycles.