- ‘Fast and Furious’ + ‘American Ninja Warrior’ = Netflix’s ‘Hyperdrive’ 3 Years Ago
- Trump jokes drop in Dow is because Seth Moulton dropped out of 2020 race 3 Years Ago
- What we learned when we visited Mr. B, America’s chonkiest cat Today 1:46 PM
- Trump’s new plan to fight opioid overdose? This tweet Today 1:06 PM
- Fitness influencer shamed for ‘sharing numbers’ in weight loss posts Today 1:04 PM
- The VSCO Girl has always been here Today 1:01 PM
- Tomi Lahren’s new ‘Freedom’ clothing line is made for meme mockery Today 12:21 PM
- Taylor Swift’s ‘London Boy’ is a bop, but Brits don’t think her lyrics are accurate Today 12:02 PM
- Popeyes blasted for employee welfare amid chicken sandwich war Today 11:59 AM
- Cory Booker says nonbinary ‘niephew’ taught him about trans issues Today 11:53 AM
- Megachurch pushes conversion therapy on Instagram, Facebook with #OnceGay Today 11:11 AM
- Christian movie review site blasts Netflix’s ‘The Family’ Today 10:50 AM
- YouTube removes ‘coordinated’ channels spreading Hong Kong misinformation Today 8:58 AM
- Christina Hendricks reveals she was the hand model for ‘American Beauty’ Today 8:30 AM
- Why can’t independent feminist websites stay afloat? Today 8:17 AM
The cemeteries of the future will be lit by decomposing bodies
Bringing light to cemeteries powered by human remains.
Cemeteries of the future might shrug the dark, creepy stereotype, instead be illuminated by lights powered by decomposing bodies.
The University of Bath’s Centre for Death and Society hosted a design competition to reimagine cemeteries. The winning project from researchers at Columbia University’s DeathLAB called “Sylvan Constellation,” generates reusable light from human biomass.
Hanging among trees or supported by structures, the white lights that turn cemeteries into ethereal greenspace lit up when biomass, or decomposing human remains, are converted into energy. The so-called “mourning lights” are powered by microbial fuel cells, and each light corresponds to one person in the cemetery.
The team from Columbia won £5,000 (about $7246) and will spend a month’s residency this summer at the Arnos Vale Cemetery in Bristol, UK, researching potential possibilities for a prototype.
Though the bright lights powered by human remains won the competition for cemeteries of the future, the DeathLAB wants to further integrate similar types of memorials into cities and community infrastructure.
In a statement, Karla Rothstein, founder and director of the university’s DeathLAB, explained the organization’s vision for end-of-life planning.
Our goal is to offer elegant options at death that are commensurate with the social and environmental values we respect while alive. Our proposal aims to secure civic space for the future metropolis, allowing one’s last impactful act to gracefully and responsibly celebrate the vitality of life.
DeathLAB was founded to produce environmentally responsible projects that reweave the ubiquity of death into the fabric of our cities, reminding us of our mortal finitude and the responsibility the living share to fortify our collective future. We appreciate Future Cemetery and Arnos Vale’s optimistic support of the cultural shifts that our work embodies.
Columbia University’s project uses sustainable technology to commemorate death on a large scale, but projects like the Bios Urn and its new app-connected automatic watering pot bring environmentally friendly after-life options to an individual level.
The DeathLAB initially created the constellation project in 2013, but with the support of the Centre for Death and Society and the Arnos Vale Cemetery, researchers can further work on a prototype design that may one day light up the paths of departed loved ones.
H/T PSFK | Photo via University of Bath’s Centre for Death and Society
Selena Larson is a technology reporter based in San Francisco who writes about the intersection of technology and culture. Her work explores new technologies and the way they impact industries, human behavior, and security and privacy. Since leaving the Daily Dot, she's reported for CNN Money and done technical writing for cybersecurity firm Dragos.