- The ultimate cord-cutting guide for bilingual families Today 5:00 AM
- Boys’ sleepovers vs. girls’ sleepovers meme takes stereotypes to absurd heights Tuesday 7:30 PM
- Petition wants Keanu Reeves to be named ‘Time Person of the Year’ Tuesday 6:33 PM
- 8 women accuse Max Landis of sexual, emotional abuse Tuesday 5:37 PM
- Taylor Swift accused of copying Beyoncé—again Tuesday 5:00 PM
- Everything you need to know about Libra, Facebook’s new cryptocurrency Tuesday 4:45 PM
- Netflix just renewed ‘Queer Eye’ for 2 more seasons Tuesday 4:32 PM
- YouTube’s queen of failed robots just unveiled a one-of-a-kind Tesla truck Tuesday 3:58 PM
- AOC infuriates conservatives with ‘concentration camps’ remark Tuesday 3:33 PM
- TikTok users explore identity with Lin Manuel Miranda-inspired meme Tuesday 3:24 PM
- TikTok apology video inspires new duet meme Tuesday 2:51 PM
- Man sues brewery after identifying as female to get beer discount Tuesday 2:31 PM
- Here’s what’s coming and going on Hulu in July 2019 Tuesday 2:22 PM
- This biotech company’s logo is almost straight out of Resident Evil Tuesday 1:26 PM
- Trump says mass deportations to start next week Tuesday 12:28 PM
BOSS is a real academic journal that only publishes papers on Bruce Springsteen
Baby, we were born to run a periodical of stadium rock scholarship.
The feverish fandom surrounding rock idol Bruce Springsteen—middle-aged men at his concerts have more than a little in common with the hysterical tweens who fawn over One Direction—has given rise to essay collections, academic conferences, and in short, a thriving subculture of Boss-based scholarship. Soon enough, we’ll have a highbrow periodical devoted to nothing but.
BOSS: The Biannual Online-Journal of Springsteen Studies is, quite simply, an “open access academic journal that publishes peer-reviewed essays pertaining to Bruce Springsteen.” Most members of the well-credentialed editorial advisory board have backgrounds in the humanities—psychology, music, literature, history—but the project encourages a freestyle, interdisciplinary approach to Springsteen’s work and mythos.
“The goal,” according to managing editor and University of Virginia Ph.D. history student Jonathan D. Cohen, “is to provide a stable home for Springsteen Studies,” one that will inspire further work and allow writers to plumb his all-American guitar anthems without tailoring their essays to the needs of a broadly focused magazine. “We’re at the right time here,” Cohen told the Daily Dot by phone. “The kids who listened to him in the 70s and 80s, some of them grew up into academics.”
Springsteen himself, Cohen noted, has often repeated the mantra “trust the art, not the artist,” but his themes of class identity and politics, matched with a meticulously combed-over personal narrative, makes closer analysis irresistible. “Every detail of his life is borne out in the work; you can say that ‘Independence Day’ is about the troubled relationship with his father. With all we know about him, we can better see the creative process.”
“He’s aware of the community,” Cohen said when asked about Springsteen’s relationship with fans. Ideally, however, BOSS would also open the field to less-obsessive scholars who might not have otherwise delved deep into this material.
While the first issue is already filled, possibly with the work of editors such as Eric Alterman, an avowed acolyte who has already published a expansive Springsteen biography, BOSS is still looking for new stuff. Just put together a 15-25 page article that touches upon Bruce’s singing, songwriting, or fan community and conforms to The Chicago Manual of Style. (The Asbury Park edition is considered unprofessional for some reason.)
The publication could certainly be a boon to those of us who struggle to parse the typical Springsteen lyric. It could revolutionize the way we think about American flags and bandanas. And if its aim of securing “a place for Springsteen Studies in the contemporary academy” sounds a touch grandiose, well, that seems in keeping with the spirit of the Boss himself.
Miles Klee is a novelist and web culture reporter. The former editor of the Daily Dot’s Unclick section, Klee’s essays, satire, and fiction have appeared in Lapham’s Quarterly, Vanity Fair, 3:AM, Salon, the Awl, the New York Observer, the Millions, and the Village Voice. He's the author of two odd books of fiction, 'Ivyland' and 'True False.'