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- Guerrilla artists turn John Oliver billboard ad into right-wing meme Tuesday 4:20 PM
- Netflix lines up unnecessarily good cast for ‘Green Eggs and Ham’ Tuesday 3:48 PM
- Netflix drops trailer for Mötley Crüe biopic ‘The Dirt’—and the cast is wild Tuesday 3:41 PM
- QAnon’s repetitive posts are alienating even his most ardent supporters Tuesday 3:36 PM
- Noah Cyrus cries on Instagram after Lil Xan’s baby announcement Tuesday 2:26 PM
- The ‘Well yes, but actually no’ meme is here to help you explain things Tuesday 12:07 PM
- Judge orders Roger Stone to appear in court after his Instagram post Tuesday 11:24 AM
- I worked with the migrant caravan—and Trump is the cause of his national emergency Tuesday 11:09 AM
- How to watch Liverpool vs. Bayern Munich online for free Tuesday 11:08 AM
- ‘Patriot Act’ volume 2 proves Hasan Minhaj is the next big star of the news-comedy genre Tuesday 11:01 AM
- ‘Friends From College’ canceled after 2 seasons at Netflix Tuesday 10:53 AM
- Allow your wallet to be your spirit guide during this rad anime sale Tuesday 10:43 AM
- Man stages fake DUI trial to propose to girlfriend, and people are asking why Tuesday 10:40 AM
- Bernie Sanders’ website full of 404s on launch day Tuesday 10:23 AM
17 GIF artists warped Taylor Swift’s ‘Shake It Off’ into a modern masterpiece
You’re going to want watch this over and over and over again.
Seventeen GIF artists spent roughly three weeks and 200 hours of work on this incredibly intricate GIF tribute to “Shake It Off.” Just try counting all the meme references and watch your head spin.
Due to copyright concerns, the team has had trouble keeping the video online and has posted several copies across the web. The silent version is on YouTube:
As with any great GIF, you need to watch the video a couple of dozen times to truly appreciate the intricacy and details at work. This Imgur post breaks down the creative process and the video GIF by GIF.
Austin Powell is the managing editor of the Daily Dot. His work focuses on the intersection of entertainment and technology. He previously served as a music columnist for the Austin Chronicle and is the co-author of The Austin Chronicle Music Anthology.