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Horror themes re-recorded in a major key will make you feel all warm and fuzzy
Classic horror themes are ominous and generally dread-inspiring for a reason: They are written in minor keys. Find a nifty melody, go minor, and watch the goosebumps pile up. For composers, sometimes it’s almost too easy.
To prove that it’s the minor key and not the melody that is eerily accenting the work of cinema’s most murderous villains, musician/writer/filmmaker Ian Gordon re-recorded five iconic themes in major keys. What comes next will definitely not frighten you.
A quick rundown:
Halloween sounds like the side A, track one of an indie-pop outfit’s meadow-frolicking breakout record.
Saw recalls the music that scores when the football game is getting out of hand and only the underdog protagonist can bring you back.
The Exorcist sounds like a Styx breakdown.
Nightmare on Elm Street sounds like you’re at Sea World, and Shamu is doing a night show. (The ones with lasers.)
Ramon Ramirez is the news director, and formerly the Dot's entertainment editor and evening editor. His work has appeared in the Washington Post, Grantland, Washington City Paper, Austin American-Statesman, and Austin Monitor.