asapthought privilege

Why are the top content creators all white, cisgendered men?

Does YouTube have a privilege problem?

The (white, cisgendered) guys behind AsapTHOUGHT and AsapSCIENCE think so, and they took to their channel to call out the privilege of many YouTube creators with a provocative new video this week. They go through Peggy McIntosh’s Privilege Checklist, applying it to themselves and asking viewers who might fall into these privileged categories to be aware of their unique position.

They also call out YouTube and YouTube events for their lack of ethnic and gender diversity.

“To be honest, it’s hard to keep going to these events and not seeing enough diversity or women on the panels and in positions of power,” Gregory Brown, one half of the duo, says in the video. “If YouTube itself and YouTube events had mandates that ensured that other diverse voices were heard, it would inspire a new generation of YouTubers to feel represented and passionate.”

As we’ve noted before, at major events like VidCon, there’s a stark contrast in the number of female creators versus male creators that attain the highest level of notoriety, and many of those female creators are part of female-dominated spaces like beauty and fashion, while men enjoy a broader range of topics. Likewise, diversity panels draw more heterogenous crowds of both attendees and panelists, but that same breakdown isn’t visible across all panels or positions of power.

YouTube is a space where anyone has an entry point to become a creator, and through the community, anyone with a voice can rise among the ranks, so it’s important that the AsapTHOUGHT guys push their own viewers to think about the systems in place that privilege the same people on YouTube that receive privilege in other media. That’s the first step to fighting against it.

Screengrab via AsapTHOUGHT/YouTube

Rae Votta

Rae Votta

Rae Votta is obsessed with obsession. She holds an BA in journalism and a Masters in the linguistics with a focus on digital fan communities from the University of Georgia; she has applied that degree to her nine-year career in the digital and entertainment industries. In addition to Daily Dot, her work has appeared on AOL, Huffington Post, Out Magazine, Logo, VH1, Current TV, Billboard, and NYMag. Her reporting focused on digital entertainment culture, with a specific interest in YouTube, Vine, and other digital native stars, until she departed for a career with Netflix in 2016.

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