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Everybody needs a good cry once in awhile. Sometimes you just need the absolute saddest movie on Netflix. Maybe you’ve just been through a breakup. Or maybe you’ve cried so much lately about the state of the world that you’re looking for literally any other reason to shed your tears. No matter what your reason is, we hear you, and we want to help you let it out. To that end, here are the best sad movies on Netflix right now, available instantly for your weeping pleasure.
30 sad movies on Netflix
1) Schindler’s List
When it comes to sad movies on Netflix, it’s hard to top this one. Schindler’s List is the kind of movie that is so famously wrenching, it’s increasingly harder to find anybody who has actually seen it. Steven Spielberg’s 1993 epic may still be the defining film about the Holocaust. In addition to winning Best Picture, Schindler’s List cemented Spielberg’s place as not only the populist favorite among his generation of directors but a true master of the art form as well.
Adapted by Dee Rees and co-writer Virgil Williams from Hillary Jordan’s novel, Mudbound, a sad Netflix original movie, traces the stories of two families during WWII, one white, one black. They intersect when the McAllan clan buys the farm the Jackson family has worked on as sharecroppers for years. It’s worth watching Mudbound for its devastating ending alone. It’s impossible to deny that Hollywood is better for taking a chance on filmmakers like Dee Rees and stories like this.
Coco is easily a top-tier Pixar film. The studio broadens its horizons a bit with this story set in the culture of Día de Muertos. Miguel is a 12-year-old with an affinity for music, but his family wants him to go into their shoe-making business. Miguel travels to the land of the dead to learn about his heritage and finds out more than he was ready for. Coco is a touching film about family and the importance of remembrance and, as with most Pixar movies, learning to accept yourself and others for who they are. It goes without saying that Coco is visually stunning and emotionally involving. Good luck getting “Remember Me” out of your head. —Eddie Strait
4) Blue Valentine
Blue Valentine is the kind of movie that’s so sad, it occasionally feels like it’s trying to rip your heart out through your chest. The film stars Ryan Gosling and Michelle Williams as Dean and Cindy, a couple whose relationship we see disintegrate as it cuts back and forth between when they first got together and their older, more damaged selves. Director Derek Cianfrance, who would go on to make The Place Beyond the Pines and The Light Between Oceans shot the flashback scenes in a kind of grainy, Instagram-worthy style that ultimately serves to make them more romantic, while the present-day scenes look sleeker and colder, reflecting a kind of harsh realness. Both performances are heartbreaking (Williams was nominated for an Oscar for hers), probably because the two leads actually spent time living together like a real couple between filming the scenes set in the past and the ones set in the future. By the time their characters had to break up, it feels all too real.
5) The Place Beyond the Pines
Though not as utterly soul-crushing as his breakout film, Blue Valentine, director Derek Cianfrance’s The Place Beyond the Pines is still a tour de force in sadness. Telling three different stories over two generations, Pines is a movie about the bond between fathers and son and how the choices we make resonate well into the future. Though it falls short of its epic ambitions, the film is a great throwback to the gritty American dramas of the 1970s—not to mention the rare “guy cry” movie, i.e. it has action but will also put you in touch with your emotions. Co-lead Bradley Cooper is good in the movie’s second section, but the film never quite gets over Ryan Gosling’s towering performance in the first. As a carnival bad boy skilled in motorcycle stunts, Gosling (reteaming with Cianfrance here following the success of Valentine) is the tattooed heart of gold at the center of this picture.
When Lisa, a teacher frustrated with her life, discovers one of her students, Parker, has a talent for poetry, she takes a special interest in him. As it becomes clear to her that no one else values his gift as much as she does, she becomes obsessed. Her determination to nurture Parker’s talent leads her down a dark path. Maggie Gyllenhaal gives a tremendous performance as Lisa, and writer-director Sara Colangelo makes a strong impression with tricky material. —E.S.
Kodachrome is like going to your childhood home to play a game of catch in your backyard: It’s comforting and you fall right back into the routine. What starts as a paint-by-numbers story of an estranged father and son working out their issues during a long road trip morphs into a genuinely affecting tale of family and mortality with a satisfying emotional payoff. Ed Harris plays the role of a father and renowned photographer, Ben, with customary elegance, but Jason Sudeikis steals the show as his son, Matt. Jonathan Tropper’s script pulls no punches, and director Mark Raso allows the scenes to breathe, making Kodachrome one of the better Netflix releases of 2018. —E.S.
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8) Dallas Buyers Club
As a movie about LGBTQ subject matter, Dallas Buyers Club leaves something to be desired. Not only does it omit elements of the real Ron Woodroof’s story, it fails to clearly define whether Rayon, the film’s second lead, is transgender, a cross-dresser, or identifies in some other non-binary way. Where Dallas Buyers Club does succeed is in its depiction of the AIDS crisis, stigmatization that came with an HIV-positive diagnosis, and the far-reaching effects it had in the ‘80s and ‘90s. Dallas Buyers Club provides a raw snapshot of a watershed moment. Matthew McConaughey and Jared Leto’s Oscar-winning performances as Woodroof and Rayon, respectively, are also among the best of their careers (particularly in Leto’s case), and the direction from Jean-Marc Vallée (Big Little Lies) is stunning.
9) Revolutionary Road
Revolutionary Road is so thoroughly wrenching, such a complete punch in the gut, it’s the kind of film that threatens to ruin your entire day after you see it. Not exactly the Titanic reunion most people wanted, the film stars Kate and Leo as a pair of suburban malcontents in 1950s Connecticut. Having slowly grown to hate their surroundings, and by extension, each other, Revolutionary Road is both an examination of the dissolution of one marriage and of the American dream itself. Essentially director Sam Mendes’ take on the Douglas Sirk melodramas of the ‘50s, the movie is memorable for its gorgeous sets and costumes, its haunting score from Thomas Newman, and for a star-making turn by Michael Shannon, who received an Academy-Award nomination for his role as the disturbed son of a family friend.
Writer-director Eva Trobisch tackles heavy subject matter with deftness and clarity in her debut feature Alles ist gut, about a woman, Janne, trying to move forward after being raped by her boss’s son-in-law. Alles ist gut portrays the devastating effects of casual violence and the isolation that comes with being a victim. It’s a quiet, intimate film so nuanced in its writing, direction, and performances that it envelops the viewer and puts them right in Janne’s shoes. Trobisch’s film is specific in its vision and universal in its themes, and it never stoops to proselytizing to make its points. —E.S.
11) 22 July
Director Paul Greengrass (United 93, Captain Phillips) tackles yet another real-life tragedy. On July 22, 2011, Anders Behring Breivik carried out a terrorist attack in Norway that left 77 people dead and injured over 300 others. The film covers the two-pronged attack, as well as the aftermath, and Breivik’s trial. It’s a tough film to watch because the trauma is so recent, but Greengrass’s respectful approach keeps the film from being maudlin. If you enjoy Greengrass’s other work (he also directed three Bourne films), 22 July is on par with those works. —E.S.
12) The End of the Tour
Although many close to the late writer denounced the film upon its release, The End of the Tour’s portrayal of acclaimed author David Foster Wallace doesn’t necessarily need to be accurate to be affecting. Following journalist David Lipsky’s unpublished chronicle of Wallace in the last days of his book tour for Infinite Jest, the film is a powerful work on art, interviewing, genius, depression, and the way creative people view each other. Jesse Eisenberg and Jason Segel do some of the best work of their careers as Lipsky and Wallace, bringing authentic chemistry to this brief but powerful relationship.
13) Other People
Based on Saturday Night Live writer Chris Kelly’s real-life experiences, Other People tells the story of struggling comedy writer, David (Jesse Plemons), who moves back home to Sacramento to take care of his dying mother, Joanne (Molly Shannon). Complicating matters is his father, Norman (Bradley Whitford), who refuses to accept David’s sexuality, even 10 years after he came out. The lead performances are all great, and the film features strong supporting turns from familiar character actors and comedy mainstays, including June Squibb, Matt Walsh, Maude Apatow, and more. It’s a movie which alternates between moments designed to make you laugh and moments designed to make you cry, and it’s not short on either.
14) First They Killed My Father
Angelina Jolie’s continues to grow as a director. After her attempt at Oscar bait, Unbroken, the commercially successful but non-player at awards season, Jolie works on a smaller scale with First They Killed My Father. It tells the true story of Luong Ung (who co-wrote the screenplay with Jolie and wrote the memoir the film is based on), whose family was one of many that suffered under the Khmer Rouge in Cambodia. The film is contemplative without being boring and emotionally devastating without being manipulative. It’s a tough watch but a strong film. —ES.
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Inspired by his childhood in 1970s Mexico City, Roma is the latest film from visionary writer/director Alfonso Cuarón (Gravity; Children of Men). It’s a moving autobiographical drama about a young woman who works as a housemaid for a wealthy Mexican family, based on Cuarón’s beloved childhood nanny. It’s undoubtedly one of the greatest movies of 2018, destined to live on as a highlight of Cuarón’s career.—Gavia Baker-Whitelaw
16) An American Tail
Besides being a slyly profound meditation on the immigrant experience, An American Tail is also as devastating as any film about an animated talking mouse can get. When Fivel, a little Russian mouse, gets separated from his family after they immigrate to the United States, he’s forced to look for them in this strange new country. Of course, there’s a happy ending, but Fivel’s journey along the way is nothing short of heartbreaking. And the film’s signature song, “Somewhere Out There,” is somewhere up there with the all-time great movie ballads. Also, if you’re looking for a similar kids movie that’s less harrowing, An American Tail’s three much lighter sequels are currently on Netflix, too.
Barry Jenkins’ Best Picture-winning film tells the story of Chiron in three parts as he grows up and comes to terms with his sexuality and learning to be comfortable in his own skin. Chiron may be black and gay, and the movie’s focus may be narrow, but its themes are universal. There are moments so empathetic that I’m welling up a little just thinking about it. The cast is remarkable, from the three actors who play Chiron to Naomie Harris, Janelle Monae, and Oscar winner Mahershala Ali. Its status as one of the lowest grossIng Best Picture winners means a ton of people need to catch up with it. —E.S.
18) 6 Balloons
In Marja-Lewis Ryan’s 6 Balloons, one long night tests the limits of compassion. It tells the story of Katie (Broad City’s Abbi Jacobson) a woman who’s trying to plan a surprise birthday party for her boyfriend. But as the day goes on she collides with her brother Seth (Dave Franco), a heroin addict who’s using again. “The loneliness inside those dark moments is almost more crippling… not being able to talk about the things; not knowing where to talk,” Ryan told the Daily Dot. “If this isn’t your story, then maybe you can gain a little empathy for people who are experiencing this. And if it is your story, hopefully, you can feel a little less lonely.” 6 Balloons is very much about middle-class addiction, based on a similar night Ryan’s best friend (and the film’s co-producer) Samantha Housman experienced: Her brother, a lawyer, was addicted to heroin. —Audra Schroeder
Milk is a sad movie because it shows you how hard the gay rights movement had to fight for the most basic respect. It’s a sad movie because the rights that were being fought for are still too often unrecognized in this country today. It’s a sad movie because Harvey Milk gave his life for what he believed in, and anytime a good man dies fighting for something he believes in, those that would carry on their fight must naturally mourn first. But it’s not an entirely sad movie because Harvey Milk also lived a life worth celebrating.
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Netflix’s first major foray into film distribution, at least in terms of narrative filmmaking, was this child soldier drama from 2015. Upon its release, Beasts of No Nation immediately declared that, in addition to giving you daily doses of ‘90s nostalgia, the streaming giant was committed to socially engaged stories too. Directed by True Detective’s Cary Joji Fukunaga and starring Idris Elba in what should’ve been an Oscar-nominated performance, Beasts of No Nation is an intense watch but also a rewarding one. If nothing else, it’ll make you aware of how few depictions of Africa we really see onscreen, and how much that needs to be corrected. It’s one of the saddest movies on Netflix, and thankfully, it’s not going anywhere.
Paddleton follows Andy and Michael, two best friends who must grapple with Michael’s diagnosis of terminal cancer. The two men stick to their routine, which includes watching kung fu movies and playing their made up game called Paddleton. Mark Duplass and Ray Romano give terrific performances in the leading roles, capturing what it means to be a friend, even if their characters have a hard time expressing themselves. Paddleton is a small, intimate movie that’s both funny and sad without ever becoming overly sentimental. —E.S.
22) Sunday’s Illness
In Sunday’s Illness, the raw emotions between a mother and the daughter she abandoned 35 years ago are on full display as they spend 10 days together, showing what could have been and what will never be with painstaking beauty. Mother Anabel (Susi Sánchez) and daughter Chiara (Bárbara Lennie) constantly push and pull at one another even when they aren’t in each other’s orbit. Sunday’s Illness could have taken its concept into a number of directions with the backdrop—and impeccable cinematography—of an isolated house located on a wooded mountain that helps set the tone. Instead, the film goes down a more emotional and sometimes uncomfortable path, climaxing in a profoundly life-changing experience. Like the snapshots we see, we’re left wondering what it might all say. —Michelle Jaworski
23) To the Bone
It may be hard to convince yourself sit down for a harrowing story about a young woman’s struggle with anorexia. Despite To the Bone’s dour subject matter, Marti Noxon’s script has enough humor to act as a release valve. The performances from lead actress Lily Collins to supporting players Alex Sharp, Keanu Reeves, Retta, and Lily Tomlin are great. The story is based on Noxon’s past experiences and that comes through in the intimate and empathetic approach she takes. —E.S.
Netflix’s cancer drama Irreplaceable You is a formulaic movie with enough good moments to make it worth your time. Gugu Mbatha-Raw and Michiel Huisman star as Abbie and Sam, who have been in love with each other since they were 8 years old. All of their plans are derailed by Abbie’s terminal diagnosis. Instead of planning the rest of their lives together, they’re forced to plan for the end of their relationship. —E.S.
Louis Waters (Robert Redford) has lived a quiet life since his wife’s death years before. Then one night his neighbor, Addie (Jane Fonda), herself a widow of many years, knocks on his door with a simple proposal: “Would you like to sleep with me?” Our Souls at Night would be worth watching even if it was just to see Redford and Fonda working together again, but thankfully, it also serves as a gentle reminder that it’s never too late to find love. Sometimes you just have to get out of your comfort zone and knock on some doors. —David Wharton
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A Netflix original movie, Bong Joon-ho’s Okja is an odd and oddly touching story about a girl, Mija, and her genetically enhanced superpig, Okja. Set in Korea and the U.S., Okja features a diverse cast, thrilling set pieces, and enough emotional moments to keep you engaged even when the film indulges its weirder aspects. Despite the film’s tonal shifts, Joon-ho’s agility and prowess as a filmmaker ties everything together and makes it feel if a piece. Okja is easily the best Netflix original movie to date. —E.S.
Netflix honors a World War II hero and photographer Francisco Boix in Spanish film The Photographer of Mauthausen. The film, which follows Boix as he attempts to smuggle photos that incriminate the Nazi party of war treason while in the Mauthausen concentration camp, is predictably dark, somber, and incredibly difficult to watch—but an essential film about the Holocaust and the importance of upholding the truth. —Tess Cagle
28) Cloud Atlas
Like all the Wachowskis’ films, Cloud Atlas is about the fight between freedom and oppression. Directed with the help of Tom Tykwer, this tale of the tyrannical versus the marginalized is typically ambitious and strange for the brains behind The Matrix, V for Vendetta, and Sense8, weaving a dense narrative that spans years, continents, and consciousnesses (you’ll get it if you watch the movie.) What makes Cloud Atlas feel a little different than the rest of the Wachowskis work is that it relies less on action or a desire to seem “cool.” Instead, the film is a work of great vulnerability, which carries a real undercurrent of tragedy throughout. At almost 3 hours long, not all of it works, but what does is truly a sight to behold.
Screenwriter Will Reiser tells the story of his own battle with cancer in 50/50. Joseph Gordon-Levitt plays Adam, a 27-year-old with nothing but opportunity in front of him when he falls ill. The movie follows a traditional path, with Will battling the disease and the emotional and existential reckoning that comes with it. Gordon-Levitt is tremendous, Seth Rogen does some of his best work as Adam’s best friend Kyle (echoing his real-life friendship with Reiser), and Anjelica Huston is devastating as Will’s mother. The movie finds plenty of humor in Adam’s situation, but don’t forget to have a box of tissues nearby when you watch. —E.S.
Carol is a devastating love story, but it’s also hopeful. The film stars Cate Blanchett in the title role as a ‘50s housewife who’s starting to come into her sexuality, and Rooney Mara as Therese, a young woman who falls for her. As the movie’s lush, gorgeous look washes over the characters, every glance, every gesture, every hint of longing becomes something profound. The story is familiar territory for director Todd Haynes, who also explored forbidden sexuality in “traditional” America with 2002’s Far from Heaven. Either one could rightly be called a melodrama, but while the former heightens emotions, the latter tempers them. If Far from Heaven was Haynes using Douglas Sirk’s cinematic language to explore conformity and desire, Carol finds him taking a subtle, more delicate approach. Both films are haunting and beautiful, but Carol feels like the masterwork he’s been approaching his whole career.
Looking for something more specific? Here are our Netflix guides for the best war movies, documentaries, anime, indie flicks, true crime, food shows, rom-coms, LGBT movies, alien movies, gangster movies, Westerns, film noir, and movies based on true stories streaming right now. There are also sad movies guaranteed to make you cry, weird movies to melt your brain, old movies when you need something classic, and standup specials when you really need to laugh. Or check out Flixable, a search engine for Netflix.
Editor’s note: This article is regularly updated for relevance.
Chris Osterndorf is an entertainment reporter and movie critic based in Los Angeles. He holds a degree in cinema from Chicago’s DePaul University. His work has appeared on the Daily Dot, Mic, the Script Lab, Salon, the Week, xoJane, and more.