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Eurovision 2016 featured political drama and a dramatic near-win for Australia
Never change, Eurovision.
Saturday night’s Eurovision Song Contest proved once again that Eurovision Twitter is one of the best Twitters of the year. It’s like the Hunger Games for Celine Dion impersonators and reality TV runners-up, featuring pyrotechnics, onstage costume changes, and fierce political infighting.
The final round of the 2016 contest was disappointingly free from truly bizarre performers, after entries like the nude Belarussian wolf dancer were expelled earlier in the week. Luckily, the new voting system and some nailbiting political tension added plenty of drama to the night—along with an incongruous cameo from Justin Timberlake.
Eurovision can often seem incomprehensible to outsiders, thanks to its combination of blatant political bias, laughable C-list performers, and a complex voting system. This year’s final, which featured an intense showdown between Russia, Ukraine, and guest entrants Australia, encompassed all of this and more.
Ukraine won with a solo vocalist named Jamala, singing a bilingual pop song called “1944,” about Stalin’s deportation of Crimean Tatars. This win was controversial from a political standpoint, with several Eastern Bloc countries shutting Russia out in favor of giving high scores to Ukraine.
“1944” was emotionally charged, but arguably not as catchy or entertaining as some of the other entrants. In previous years, Russia might have won thanks to the popularity of the flashy special effects in its entry, “You Are The Only One.” However, the new scoring system, which splits each country’s votes between the public and a private jury, saw Ukraine pull ahead of Australia (a politically neutral choice) and Russia at the last moment.
Justin Timberlake’s guest appearance similarly inspired mixed reactions. Fans were excited to see him perform, but many Eurovision aficionados felt that he was too “normal” and too famous to belong anywhere near the contest. If people wanted to see a talented celebrity competently perform a famous song, they wouldn’t be watching Eurovision.
The one upside was the suitably weird reason Timberlake was there in the first place: he’s in Europe to promote the animated movie Trolls.
At the end of the night, the true spirit of Eurovision was recaptured: Embodied both by the characteristically silly drama of the contest and by the hosts’ parody song “Love Love Peace Peace.”
While viewers waited for the votes to be counted, the Swedish hosts (including last year’s winner Måns Zelmerlöw) cheerfully made fun of every Eurovision cliche you could imagine, from obscure local folk instruments to a sexy milkmaid. They understood perfectly what we were here to watch.
Gavia Baker-Whitelaw is a staff writer at the Daily Dot, covering geek culture and fandom. Specializing in sci-fi movies and superheroes, she also appears as a film and TV critic on BBC radio. Elsewhere, she co-hosts the pop culture podcast Overinvested.